A work in constant progress (and occasional regress).
Alias:
Serguei Yourizditski
Сергей Юриздицкий
Birthplace:
Sochi, RSFSR, USSR
Born:
April 21, 1947
Sergei Yurizditsky is a world-famous cinematographer, an eminent Soviet and Russian cameraman, Honored Artist of Russia (1994). Member of the Union of Cinematographers of Russia, European Film Academy EFA. The most significant films of his work were directed by Alexander Sokurov (“The Lonely Voice of a Man”, “Mournful Unconcern”, “Days of Eclipse”), worked with Alexander Kaidanovsky, Aleksei Balabanov, Aleksandr Proshkin, Sergey Ursulyak and others.
Additional Director of Photography:
2001 The Turn of the Century
2019 Through the Black Glass
Camera Operator:
1995 Summerfolk
2001 The Turn of the Century
2019 Through the Black Glass
Cinematography:
1994 Viva Castro!
1995 Summerfolk
2001 The Turn of the Century
2019 Through the Black Glass
Director of Photography:
1980 The Degraded
1983 Since We've Been Together
1986 Exceptions Without Rules
1987 Mournful Unconcern
1987 The Evening Sacrifice
1987 The Guest
1987 The Lonely Voice of Man
1988 Days of Eclipse
1989 Executor 977
1989 It Happened Near the Sea
1990 Humiliated and Insulted
1990 In the Middle of the World
1990 Save and Protect
1991 A Sacrifice for the Emperor
1993 Living With an Idiot
1994 The Castle
1994 Viva Castro!
1995 Summerfolk
1998 The Policemen and the Thieves
2000 Russian Riot
2001 A Journey Back to Youth
2001 Shoes from America
2001 The Turn of the Century
2004 Arseny Tarkovsky: Eternal Presence
2004 Remote Access
2005 Myths of My Childhood
2005 Sunless City
2006 Family Name
2007 Varvara's Weddings
2013 Chapaev Chapaev
2019 Through the Black Glass
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.