A work in constant progress (and occasional regress).
Birthplace:
England, UK
Born:
May 28, 1969
From Wikipedia, the free encyclopedia. Rupert Murray (born 28 May 1969) is a film director working in London. Murray began by making television documentaries for Channel Four's Cutting Edge series including Playing For England and Seconds To Impact (cameraman and editor), and short films Outsiders and This Was My War, co-directed with Beadie Finzi. In 2005 he directed British documentary film Unknown White Male, the story of an Englishman Doug Bruce living in New York who experienced retrograde amnesia. The film premiered at Sundance and was nominated for a Grierson award, a British Independent Film Award and a Directors Guild of America award. The film was greeted with some scepticism from film critics in the USA on release, several of whom believed it was an elaborate hoax. The filmmakers have consistently rejected this allegation. Influential film critic Roger Ebert of the Chicago Sun-Times said that he was "convinced of its truthfulness". In 2007 he directed "Wild Art: Olly and Suzi" for BBC Storyville. Murray also directed The End of The Line, a documentary about the effects of overfishing.The film was shown at Sundance 2009 and has resulted in major retailers changing their fish sourcing policy. He is currently working on a film about climate sceptics for the BBC. Description above from the Wikipedia article Rupert Murray, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Additional Photography:
2012 56 Up
Director:
2003 Outsiders
2005 Unknown White Male
2009 The End of the Line
2009 Wild Art: Olly & Suzi
2011 Meet The Climate Sceptics
2012 56 Up
Director of Photography:
2003 Outsiders
2005 Unknown White Male
2009 The End of the Line
2009 Wild Art: Olly & Suzi
2011 Meet The Climate Sceptics
2012 56 Up
Screenplay:
2003 Outsiders
2005 Unknown White Male
2009 The End of the Line
2009 Wild Art: Olly & Suzi
2011 Meet The Climate Sceptics
2012 56 Up
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.