A work in constant progress (and occasional regress).
Birthplace:
Bremen, Germany
Born:
January 1, 1974
Andy Lehmann is a German cinematographer.
Camera Operator:
2017 Death of a Banker
2019 Edward II of England: The Unhappy King
2023 The Kennedy Dynasty
Camera Supervisor:
2017 Death of a Banker
2018 System Error
2019 Edward II of England: The Unhappy King
2023 The Kennedy Dynasty
Cinematography:
2014 Deutschboden
2014 Katharine Hepburn: The Great Kate
2017 Death of a Banker
2018 System Error
2019 Edward II of England: The Unhappy King
2019 Hollywood's Second World War
2023 The Kennedy Dynasty
Director of Photography:
2012 The World According to Irving
2014 Deutschboden
2014 Katharine Hepburn: The Great Kate
2017 Death of a Banker
2017 Never Be Boring: Billy Wilder
2017 You'll Never Walk Alone
2018 System Error
2019 At The Matinée
2019 Edward II of England: The Unhappy King
2019 Hollywood's Second World War
2020 Omar Sharif: Citizen of the World
2023 The Books He Didn't Burn
2023 The Kennedy Dynasty
2024 Fotoshooting DDR - Bilder zwischen Propaganda und Alltag
2024 Hape Kerkeling – Total Normal
Production Design:
2012 The World According to Irving
2014 Deutschboden
2014 Katharine Hepburn: The Great Kate
2017 Death of a Banker
2017 Never Be Boring: Billy Wilder
2017 You'll Never Walk Alone
2018 System Error
2019 At The Matinée
2019 Edward II of England: The Unhappy King
2019 Hollywood's Second World War
2020 Omar Sharif: Citizen of the World
2023 Loriot 100
2023 The Books He Didn't Burn
2023 The Kennedy Dynasty
2024 Fotoshooting DDR - Bilder zwischen Propaganda und Alltag
2024 Hape Kerkeling – Total Normal
Camera Operator:
2022 Szene Report
Director of Photography:
2016 Great Literary Tour
2022 Szene Report
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.