A work in constant progress (and occasional regress).
Birthplace:
Brežice, Slovenia, Yugoslavia
Born:
June 1, 1964
From Wikipedia, the free encyclopedia. Damjan Kozole (born in 1964 in Brezice, Slovenia, then Yugoslavia) is one of the most recognized Slovenian filmmakers. In his films, "some of the most raffish, funky and even sordid characters discover their own humanity" (Alissa Simon, Variety). Sight & Sound ranked his Spare Parts among ten most important films of the New Europe. In 2005, a Damjan Kozole film retrospective took place in the United States and Canada, hosted by the American Film Institute. Description above from the Wikipedia article Damjan Kozole, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Cinematography:
2013 Ulay
Director:
1986 The Fatal Telephone
1988 Remington
1992 A Toast
1992 Enfant terrible
1997 Stereotype
2000 Porno Movie
2003 Spare Parts
2004 Labour Equals Freedom
2004 Visions of Europe
2008 Jesenice: Detroit
2009 Forever
2009 Slovenian Girl
2011 House D
2012 Long Vacation
2013 Ulay
2015 Nightlife
2016 Borders
2018 The Curator's Room
2019 Half-Sister
2023 Pero
2024 The Actor
Writer:
1986 The Fatal Telephone
1988 Remington
1992 A Toast
1992 Enfant terrible
1992 Everything Is Under Control
1997 Stereotype
2000 Porno Movie
2003 Spare Parts
2004 Labour Equals Freedom
2004 Visions of Europe
2008 Jesenice: Detroit
2009 Forever
2009 Slovenian Girl
2011 House D
2012 Long Vacation
2013 Ulay
2015 Nightlife
2016 Borders
2018 The Curator's Room
2019 Half-Sister
2023 Pero
2024 The Actor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.