A work in constant progress (and occasional regress).
Birthplace:
Westminster, California, USA
Born:
September 28, 1978
Jarin Blaschke (born September 28, 1978) is an American cinematographer best known for his work with director Robert Eggers. For his work on the psychological horror film The Lighthouse, he earned a nomination for the Academy Award for Best Cinematography. When he was 16, Blaschke moved to New York City to study film at the School of Visual Arts. Blaschke first rose to prominence with his work on Robert Eggers' directorial debut, The Witch. His work received acclaim, in addition to several Film Critic Association nominations, including the Seattle Film Critics Society Award for Best Cinematography. He would reteam with Eggers for The Lighthouse, which was filmed in black and white negative. In addition to his Academy Award nomination, Blaschke won the Independent Spirit Award for Best Cinematography and was nominated for the BAFTA and Critics' Choice Award. Blaschke currently lives in England. Description above from the Wikipedia article Jarin Blaschke, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director of Photography:
2009 Autopilot
2009 Blood Night: The Legend of Mary Hatchet
2009 Calling It Quits
2009 The Tell-Tale Heart
2009 Twoyoungmen, UT.
2010 Boys On Film 5: Candy Boy
2012 Fray
2013 Haven't We Met Before?
2013 The House at the Edge of the Galaxy
2015 Brothers
2015 I Believe in Unicorns
2016 The Witch
2017 Shimmer Lake
2018 Down a Dark Hall
2018 Souls of Totality
2019 A Million Eyes
2019 Back Roads
2019 The Lighthouse
2020 The Hunter
2022 The Northman
2023 Knock at the Cabin
2024 Nosferatu
2026 Werwulf
Director of Photography:
2020 The Pale Horse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.