A work in constant progress (and occasional regress).
Birthplace:
UK
Born:
February 22, 1961
Mark Day (born 22 February 1961) is a British film editor. He won two BAFTA Awards for Best Editing for State of Play and Sex Traffic, both directed by David Yates with whom Day also worked with on The Way We Live Now, The Young Visiters and The Girl in the Café; the former two projects gained Day two Royal Television Society award nominations for Best Tape and Film Editing along with two BAFTA nominations and the latter project gained Day a Primetime Emmy Award nomination for Outstanding Single-Camera Picture Editing. Day also worked with Yates on The Sins and the final four Harry Potter films: Order of the Phoenix, Half-Blood Prince, Deathly Hallows – Part 1 and Deathly Hallows – Part 2. Day has edited over thirty television films and dramas.
Additional Editing:
2015 Big Game
Editor:
1988 Number 27
1991 A Question of Attribution
1991 Tell Me That You Love Me
1992 Memento Mori
1993 Suddenly, Last Summer
1994 Criminal
1995 Cold Comfort Farm
1997 A Royal Scandal
1998 The Tale of Sweeney Todd
1999 Split Second
1999 The Theory of Flight
2005 The Girl in the Café
2007 Harry Potter and the Order of the Phoenix
2009 Harry Potter and the Half-Blood Prince
2010 Harry Potter and the Deathly Hallows: Part 1
2011 Harry Potter and the Deathly Hallows: Part 2
2012 The Company You Keep
2013 About Time
2015 Big Game
2015 Ex Machina
2016 Fantastic Beasts and Where to Find Them
2016 The Legend of Tarzan
2018 Fantastic Beasts: The Crimes of Grindelwald
2018 Kin
2019 Downton Abbey
2020 Made in Italy
2022 Fantastic Beasts: The Secrets of Dumbledore
2023 Pain Hustlers
2025 Bridget Jones: Mad About the Boy
Editor:
1988 Exiles
1997 The Rag Nymph
1997 The Wingless Bird
2000 Anna Karenina
2000 Sins
2001 Murder Rooms: Mysteries of the Real Sherlock Holmes
2001 The Way We Live Now
2002 Rose and Maloney
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.