A work in constant progress (and occasional regress).
Matt is a filmmaker from Toronto who lives and works in Los Angeles. He likes to make comedies about uncomfortable moments. His short film KILLER screened at the Sundance Film Festival and won awards at the Seattle International Film Festival, IFFBoston, Sarasota Film Festival, Ashland Independent Film Festival and Lower East Side Film Festival. It's now a Staff Pick on Vimeo and was featured on Short of the Week and NoBudge. His independent pilot LOVE'S A BITCH screened at the New York TV Festival, and his short film FLAGPOLE was a Finalist for the Student Academy Awards. His shorts HASTA LA VISTA and TIGHT SPOT are also Vimeo Staff Picks. As a director, he has worked on shows and sketches for MTV, CollegeHumor, Fullscreen, and Refinery29. He has also directed commercials and branded content for REI, Postmates, Toyota, Stuart Weitzman, Sephora, and Intel (as well as some totally real spots for Amazon and Venmo that are definitely not fake). He recently received a grant from the SHIFT Creative Fund to make his latest film, FATHER FIGURINE, which is currently screening at festivals.
Camera Operator:
???? Hi I'm Philip
Director:
2010 Flagpole
2015 Hasta La Vista
2016 Killer
2016 Tight Spot
2019 Father Figurine
???? Hi I'm Philip
Editor:
2010 Flagpole
2015 Hasta La Vista
2016 Killer
2016 Tight Spot
2019 Father Figurine
???? Hi I'm Philip
Producer:
2010 Flagpole
2015 Hasta La Vista
2016 Killer
2016 Tight Spot
2019 Father Figurine
???? Hi I'm Philip
Writer:
2010 Flagpole
2015 Hasta La Vista
2016 Killer
2016 Tight Spot
2019 Father Figurine
???? Hi I'm Philip
Director:
2018 Alive in Denver
Producer:
2015 Middle of the Night Show
2018 Alive in Denver
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.