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Nina Hedenius (b. 1942)

Birthplace:
Solna, Stockholms län, Sweden

Born:
September 16, 1942

Biography from TheMovieDB

Nina Hedenius (Born 1942 in Stockholm, Sweden) is a Swedish filmmaker.  She started out as a still photographer, then later became a documentary filmmaker, where she usually does everything; idea, script, production, photography, direction and editing.

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Additional information:

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Film Performances

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Film Production

Cinematography:
1982  Återseendet

Director:
1966  Monolog i en film: porträtt av en ung kvinna
1979  Vintersaga
1982  Återseendet
1984  Near the Earth, Near the Forest
1988  Like the wind, my longing fades
1992  My Eye Is Reflecting
1996  The Old Man in the Cottage
2003  The Art of Cleaning
2008  Way of Nature
2012  Observations in Time
2020  Song to Bergslagen

Director of Photography:
1966  Monolog i en film: porträtt av en ung kvinna
1979  Vintersaga
1982  Återseendet
1984  Near the Earth, Near the Forest
1988  Like the wind, my longing fades
1992  My Eye Is Reflecting
1996  The Old Man in the Cottage
2003  The Art of Cleaning
2008  Way of Nature
2012  Observations in Time
2020  Song to Bergslagen

Idea:
1966  Monolog i en film: porträtt av en ung kvinna
1979  Vintersaga
1982  Återseendet
1984  Near the Earth, Near the Forest
1988  Like the wind, my longing fades
1992  My Eye Is Reflecting
1996  The Old Man in the Cottage
2003  The Art of Cleaning
2008  Way of Nature
2012  Observations in Time
2020  Song to Bergslagen

Writer:
1966  Monolog i en film: porträtt av en ung kvinna
1979  Vintersaga
1982  Återseendet
1984  Near the Earth, Near the Forest
1988  Like the wind, my longing fades
1992  My Eye Is Reflecting
1996  The Old Man in the Cottage
2003  The Art of Cleaning
2008  Way of Nature
2012  Observations in Time
2020  Song to Bergslagen

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.