A work in constant progress (and occasional regress).
Alias:
Alan Mark Poul
Birthplace:
Atlanta, Georgia, USA
Born:
May 1, 1954
From Wikipedia, the free encyclopedia Alan Mark Poul (born May 1, 1954) is an American film and television producer and director.
Associate Producer:
1987 Light of Day
1989 Black Rain
Director:
1987 Light of Day
1989 Black Rain
2006 Pink Collar
2010 The Back-Up Plan
Executive Producer:
1987 Light of Day
1989 Black Rain
1997 Los Locos
2006 Pink Collar
2010 The Back-Up Plan
Producer:
1987 Light of Day
1989 Black Rain
1991 Inside Out
1992 Candyman
1992 Inside Out 2
1992 Inside Out 3
1992 Inside Out 4
1995 Jenipapo
1997 'Til There Was You
1997 Los Locos
1998 Thursday
2000 Woman on Top
2006 Pink Collar
2010 The Back-Up Plan
Consulting Producer:
2016 Westworld
Director:
2001 Six Feet Under
2005 Rome
2006 Big Love
2008 Swingtown
2010 The Big C
2012 GCB
2012 Perception
2012 The Newsroom
2016 Westworld
2019 Tales of the City
2020 The Eddy
2022 Tokyo Vice
Executive Producer:
1998 More Tales of the City
2001 Further Tales of the City
2001 Six Feet Under
2005 Rome
2006 Big Love
2008 Swingtown
2010 The Big C
2012 GCB
2012 Perception
2012 The Newsroom
2016 Westworld
2019 Tales of the City
2020 The Eddy
2022 Tokyo Vice
Producer:
1992 The Pacific Century
1993 Tales of the City
1994 My So-Called Life
1998 More Tales of the City
2001 Further Tales of the City
2001 Six Feet Under
2005 Rome
2006 Big Love
2008 Swingtown
2010 The Big C
2012 GCB
2012 Perception
2012 The Newsroom
2016 Westworld
2019 MotherFatherSon
2019 Tales of the City
2020 The Eddy
2022 Tokyo Vice
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.