A work in constant progress (and occasional regress).
Alias:
Tatiana Huezo Sánchez
Birthplace:
San Salvador, El Salvador
Born:
January 9, 1972
Tatiana Huezo (El Salvador, 1970) studied film at CCC and Universidad Pompeu Fabra in Barcelona. She has taught at CENTRO, CCC and the ECAM. Her filmography as a director, photographer, and editor includes documentaries and short fiction films. She has served as judge at festivals such as FICUNAM, DocumentaMadrid and the Festival de Lima. Her first documentary film, El lugar más pequeño, has participated in more than 50 national and international festivals, earning more than 40 awards. She is now working on her second feature film, La Tempestad.
Cinematography:
2001 El ombligo del mundo
Director:
1992 Árido
2001 El ombligo del mundo
2004 Familia
2005 Sueño
2011 The Tiniest Place
2015 Absences
2015 The Empty Classroom
2015 Ver, oír y callar
2017 Tempestad
2021 Prayers for the Stolen
2024 The Echo
Editor:
1992 Árido
2001 El ombligo del mundo
2004 Familia
2005 Sueño
2011 The Tiniest Place
2015 Absences
2015 The Empty Classroom
2015 Ver, oír y callar
2017 Tempestad
2021 Prayers for the Stolen
2024 The Echo
Producer:
1992 Árido
2001 El ombligo del mundo
2004 Familia
2005 Sueño
2011 The Tiniest Place
2015 Absences
2015 The Empty Classroom
2015 Ver, oír y callar
2017 Tempestad
2021 Prayers for the Stolen
2024 The Echo
Screenplay:
1992 Árido
2001 El ombligo del mundo
2004 Familia
2005 Sueño
2011 The Tiniest Place
2015 Absences
2015 The Empty Classroom
2015 Ver, oír y callar
2017 Tempestad
2021 Prayers for the Stolen
2024 The Echo
Writer:
1992 Árido
2001 El ombligo del mundo
2004 Familia
2005 Sueño
2011 The Tiniest Place
2015 Absences
2015 The Empty Classroom
2015 Ver, oír y callar
2017 Tempestad
2021 Prayers for the Stolen
2024 The Echo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.