A work in constant progress (and occasional regress).
Alias:
Pat Hardy
Birthplace:
Brooklyn, New York City, New York, USA
Born:
December 23, 1931
Died:
August 20, 2011
Patricia Hardy was an American television and film actress whose career was most active during the 1950s. She was the wife of actor Richard Egan. The third daughter of parents of Irish descent, James J. and Mary (née Toal) Hardy, Patricia Hardy was born and raised in Brooklyn, New York. She won several beauty pageants during her early years, including Miss Brooklyn, Miss Coney Island and Miss New York Press Photographer. She appeared on the cover of Look Magazine. She began her entertainment career in New York City, performing at the Copacabana nightclub with such well-known performers as Danny Thomas and Jimmy Durante. She met her future husband, actor Richard Egan, in 1956. The couple married on June 7, 1958, in San Francisco and remained together until Egan's death in July 1987. The couple had four daughters - Patricia, Kathleen, Colleen, and Maureen Egan, a writer and music video director, as well as a son, Richard Egan, Jr., who founded Vagrant Records. Hardy moved from New York to Los Angeles to pursue a film and television career. She was cast in several 1950s television episodes including two appearances on Perry Mason: as defendant Claire Olger in the 1958 episode, "The Case of the Haunted Husband," and as Jo Ann Blanchard in the 1959 episode, "The Case of the Startled Stallion." She also appeared in the series' State Trooper, The Loretta Young Show, Lassie and Schlitz Playhouse, in which she co-starred in an episode with James Dean. Her film credits included Girls in the Night in 1953 and Don't Knock the Rock in 1957.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.