A work in constant progress (and occasional regress).
Alias:
Mildred 'Chick' Strand
Birthplace:
Northern California, USA
Born:
December 3, 1931
Died:
July 11, 2009
Mildred "Chick" Strand's accomplishments as an artist spanned more than three decades. In the early 1960s, with a new anthropology degree in hand, she turned her attention to ethnographic filmmaking. Her early work focused on Meso-American cultures explored through the language of the experimental documentary. In 1961, she founded Canyon Cinema with Bruce Baillie, an organization that, in 1965, spawned the San Francisco Cinematheque. They organized screenings of experimental, documentary and narrative films in East Bay backyards and community centers. Acting in response to a lack of public venues for independent movies, they were part of a wider explosion in American avant-garde film. The era was one of social idealism and communal energy, and the films they showcased boldly embraced purely cinematic visual expression and cultural critique. Strand left Northern California in the late 1960s to pursue studies in ethnographic film at UCLA. She then joined the faculty of Occidental College, where she served as the director of the film as art program for a quarter of a century. In the 1970s she continued to define her visual technique, and her subjects more frequently became women. She soon evolved a distinctive film style: backlit subjects photographed in close up and in motion, with a handheld telephoto lens. The technique produced sensual, lyrical images that became Strand's signature. Her entire filmography numbers nearly a score of works, and along the way, she also become an accomplished photographer and painter.
Cinematography:
1970 Mosori Monika
Director:
1965 Eric and the Monsters
1966 Angel Blue Sweet Wings
1967 Anselmo
1968 Kulu Se Mama
1968 Sears Sox
1968 Waterfall
1970 Mosori Monika
1975 Elasticity
1975 Guacamole
1976 Cosas de mi vida
1976 Woman of a Thousand Fires
1979 Cartoon Le Mousse
1979 Fever Dream
1979 Kristallnacht
1979 Loose Ends
1979 Soft Fiction
1986 Anselmo and the Women
1986 Artificial Paradise
1986 By the Lake
1986 Coming Up for Air
1986 Fake Fruit Factory
2011 Woman with Flowers
Editor:
1965 Eric and the Monsters
1966 Angel Blue Sweet Wings
1967 Anselmo
1968 Kulu Se Mama
1968 Sears Sox
1968 Waterfall
1970 Mosori Monika
1975 Elasticity
1975 Guacamole
1976 Cosas de mi vida
1976 Woman of a Thousand Fires
1979 Cartoon Le Mousse
1979 Fever Dream
1979 Kristallnacht
1979 Loose Ends
1979 Soft Fiction
1986 Anselmo and the Women
1986 Artificial Paradise
1986 By the Lake
1986 Coming Up for Air
1986 Fake Fruit Factory
2011 Woman with Flowers
Writer:
1965 Eric and the Monsters
1966 Angel Blue Sweet Wings
1967 Anselmo
1968 Kulu Se Mama
1968 Sears Sox
1968 Waterfall
1970 Mosori Monika
1975 Elasticity
1975 Guacamole
1976 Cosas de mi vida
1976 Woman of a Thousand Fires
1979 Cartoon Le Mousse
1979 Fever Dream
1979 Kristallnacht
1979 Loose Ends
1979 Soft Fiction
1986 Anselmo and the Women
1986 Artificial Paradise
1986 By the Lake
1986 Coming Up for Air
1986 Fake Fruit Factory
2011 Woman with Flowers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.