Chick Strand (1931-2009)

Alias:
Mildred 'Chick' Strand

Birthplace:
Northern California, USA

Born:
December 3, 1931

Died:
July 11, 2009

Mildred "Chick" Strand's accomplishments as an artist spanned more than three decades. In the early 1960s, with a new anthropology degree in hand, she turned her attention to ethnographic filmmaking. Her early work focused on Meso-American cultures explored through the language of the experimental documentary.  In 1961, she founded Canyon Cinema with Bruce Baillie, an organization that, in 1965, spawned the San Francisco Cinematheque. They organized screenings of experimental, documentary and narrative films in East Bay backyards and community centers. Acting in response to a lack of public venues for independent movies, they were part of a wider explosion in American avant-garde film. The era was one of social idealism and communal energy, and the films they showcased boldly embraced purely cinematic visual expression and cultural critique.  Strand left Northern California in the late 1960s to pursue studies in ethnographic film at UCLA. She then joined the faculty of Occidental College, where she served as the director of the film as art program for a quarter of a century. In the 1970s she continued to define her visual technique, and her subjects more frequently became women. She soon evolved a distinctive film style: backlit subjects photographed in close up and in motion, with a handheld telephoto lens. The technique produced sensual, lyrical images that became Strand's signature. Her entire filmography numbers nearly a score of works, and along the way, she also become an accomplished photographer and painter.

Additional information:

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Cinematography:
1970  Mosori Monika

Director:
1965  Eric and the Monsters
1966  Angel Blue Sweet Wings
1967  Anselmo
1968  Kulu Se Mama
1968  Sears Sox
1968  Waterfall
1970  Mosori Monika
1975  Elasticity
1975  Guacamole
1976  Cosas de mi vida
1976  Woman of a Thousand Fires
1979  Cartoon Le Mousse
1979  Fever Dream
1979  Kristallnacht
1979  Loose Ends
1979  Soft Fiction
1986  Anselmo and the Women
1986  Artificial Paradise
1986  By the Lake
1986  Coming Up for Air
1986  Fake Fruit Factory
2011  Woman with Flowers

Editor:
1965  Eric and the Monsters
1966  Angel Blue Sweet Wings
1967  Anselmo
1968  Kulu Se Mama
1968  Sears Sox
1968  Waterfall
1970  Mosori Monika
1975  Elasticity
1975  Guacamole
1976  Cosas de mi vida
1976  Woman of a Thousand Fires
1979  Cartoon Le Mousse
1979  Fever Dream
1979  Kristallnacht
1979  Loose Ends
1979  Soft Fiction
1986  Anselmo and the Women
1986  Artificial Paradise
1986  By the Lake
1986  Coming Up for Air
1986  Fake Fruit Factory
2011  Woman with Flowers

Writer:
1965  Eric and the Monsters
1966  Angel Blue Sweet Wings
1967  Anselmo
1968  Kulu Se Mama
1968  Sears Sox
1968  Waterfall
1970  Mosori Monika
1975  Elasticity
1975  Guacamole
1976  Cosas de mi vida
1976  Woman of a Thousand Fires
1979  Cartoon Le Mousse
1979  Fever Dream
1979  Kristallnacht
1979  Loose Ends
1979  Soft Fiction
1986  Anselmo and the Women
1986  Artificial Paradise
1986  By the Lake
1986  Coming Up for Air
1986  Fake Fruit Factory
2011  Woman with Flowers

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.