A work in constant progress (and occasional regress).
Birthplace:
Aachen, Germany
Born:
September 18, 1960
Camera Operator:
1988 Die Sonne kommt
Cinematography:
1986 10 3/4-Zoll
1988 Die Sonne kommt
Director:
1986 10 3/4-Zoll
1986 Ein normales Leben
1988 Die Sonne kommt
1991 Atemnot
1994 Das andere Universum des Klaus Beyer
2003 NeuFundLand
2009 The Real World of Peter Gabriel
2012 Two Lives
2013 Liv Ullmann - Eine Nahaufnahme
2024 The Glory of Life
Editor:
1986 10 3/4-Zoll
1986 Ein normales Leben
1988 Die Sonne kommt
1991 Atemnot
1994 Das andere Universum des Klaus Beyer
2003 NeuFundLand
2009 The Real World of Peter Gabriel
2012 Two Lives
2013 Liv Ullmann - Eine Nahaufnahme
2024 The Glory of Life
Producer:
1986 10 3/4-Zoll
1986 Ein normales Leben
1988 Die Sonne kommt
1991 Atemnot
1994 Das andere Universum des Klaus Beyer
2003 NeuFundLand
2009 The Real World of Peter Gabriel
2012 Two Lives
2013 Liv Ullmann - Eine Nahaufnahme
2024 The Glory of Life
Screenplay:
1986 10 3/4-Zoll
1986 Ein normales Leben
1988 Die Sonne kommt
1991 Atemnot
1994 Das andere Universum des Klaus Beyer
2003 NeuFundLand
2009 The Real World of Peter Gabriel
2012 Two Lives
2013 Liv Ullmann - Eine Nahaufnahme
2024 The Glory of Life
Writer:
1986 10 3/4-Zoll
1986 Ein normales Leben
1988 Die Sonne kommt
1991 Atemnot
1994 Das andere Universum des Klaus Beyer
2003 NeuFundLand
2009 The Real World of Peter Gabriel
2012 Two Lives
2013 Liv Ullmann - Eine Nahaufnahme
2024 The Glory of Life
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.