A work in constant progress (and occasional regress).
Alias:
Leandros Dounis
Λέανδρος Ντούνης
Leandros Ntounis (Athens, 1977) has been working as a sound designer and re-recording mixer for feature films, documentaries and TV since 2000. His main artistic interest lies within art-house films with strong authoritarian vision, accommodating the creative needs of each individual project. He has worked on international projects in Los Angeles, New York, France, Germany, UK, Turkey, Latvia, South Africa, Alaska, New Orleans, Chile, India. He is based in Athens. He founded I hear voices in 2008.
Production Sound Mixer:
2012 The Capsule
Sound:
2006 Gas
2008 The Best Bride
2010 Attenberg
2012 The Capsule
2014 7 Kinds of Wrath
2014 Washingtonia
2016 Athina Rachel Tsangari: Cinema on the Edges
2017 Unbuilt Light
2019 All the Fires the Fire
2020 Iskioma
2021 Apples
2022 Homo Perfectus
2023 Ladies in Waiting
2023 Mykonian Pastoral
2024 Dogwatch
2024 Unclickable
Sound Designer:
2006 Gas
2008 The Best Bride
2009 Dogtooth
2010 Attenberg
2011 Alps
2012 Chamomile
2012 The Capsule
2013 24 Frames per Century
2013 Necktie
2013 The Benaki Museum
2014 7 Kinds of Wrath
2014 Sivas
2014 Washingtonia
2015 Motherland
2016 A Country of Two
2016 Athina Rachel Tsangari: Cinema on the Edges
2016 Fox
2016 Hiwa
2016 Rust / Óxido (C)
2016 Suntan
2017 Unbuilt Light
2018 Hector Malot: The Last Day of the Year
2018 Time of Day
2019 All the Fires the Fire
2020 Birds (Or How to Be One)
2020 Iskioma
2020 The End of Suffering (A Proposal)
2021 Aleph
2021 Amygdala
2021 Apples
2021 Digger
2022 Homo Perfectus
2022 The Last Journey
2023 Ararat
2023 Arizones
2023 Ladies in Waiting
2023 Light of Light
2023 Mykonian Pastoral
2024 Buzzheart
2024 Dogwatch
2024 Unclickable
2024 When the Phone Rang
2025 Pooja, Sir
Sound Director:
2006 Gas
2008 The Best Bride
2009 Dogtooth
2010 Attenberg
2011 Alps
2012 Chamomile
2012 The Capsule
2013 24 Frames per Century
2013 Necktie
2013 The Benaki Museum
2014 7 Kinds of Wrath
2014 Modris
2014 Sivas
2014 Washingtonia
2015 Motherland
2016 A Country of Two
2016 Athina Rachel Tsangari: Cinema on the Edges
2016 Fox
2016 Hiwa
2016 Rust / Óxido (C)
2016 Suntan
2017 Unbuilt Light
2018 Hector Malot: The Last Day of the Year
2018 Time of Day
2019 All the Fires the Fire
2020 Birds (Or How to Be One)
2020 Iskioma
2020 The End of Suffering (A Proposal)
2021 Aleph
2021 Amygdala
2021 Apples
2021 Digger
2022 Homo Perfectus
2022 The Last Journey
2023 Ararat
2023 Arizones
2023 Ladies in Waiting
2023 Light of Light
2023 Mykonian Pastoral
2024 Buzzheart
2024 Dogwatch
2024 Unclickable
2024 When the Phone Rang
2025 Pooja, Sir
Sound Editor:
2006 Gas
2008 The Best Bride
2009 Dogtooth
2010 Attenberg
2011 Alps
2012 Chamomile
2012 The Capsule
2013 24 Frames per Century
2013 Necktie
2013 The Benaki Museum
2014 7 Kinds of Wrath
2014 Modris
2014 Sivas
2014 Washingtonia
2015 Motherland
2016 A Country of Two
2016 Athina Rachel Tsangari: Cinema on the Edges
2016 Fox
2016 Hiwa
2016 Rust / Óxido (C)
2016 Suntan
2017 Unbuilt Light
2018 Hector Malot: The Last Day of the Year
2018 Time of Day
2019 All the Fires the Fire
2019 Approach
2020 Birds (Or How to Be One)
2020 Iskioma
2020 The End of Suffering (A Proposal)
2021 Aleph
2021 Amygdala
2021 Apples
2021 Digger
2022 Homo Perfectus
2022 The Last Journey
2023 Ararat
2023 Arizones
2023 Ladies in Waiting
2023 Light of Light
2023 Mykonian Pastoral
2024 Buzzheart
2024 Dogwatch
2024 Unclickable
2024 When the Phone Rang
2025 Pooja, Sir
Sound Mixer:
2006 Gas
2008 The Best Bride
2009 Dogtooth
2010 Attenberg
2011 Alps
2012 Chamomile
2012 The Capsule
2013 24 Frames per Century
2013 Necktie
2013 The Benaki Museum
2014 7 Kinds of Wrath
2014 Modris
2014 Sivas
2014 Washingtonia
2014 When the Dogs Talked
2015 Motherland
2016 A Country of Two
2016 Athina Rachel Tsangari: Cinema on the Edges
2016 Fox
2016 Hiwa
2016 Rust / Óxido (C)
2016 Suntan
2017 After Before
2017 Preparation
2017 Unbuilt Light
2018 Hector Malot: The Last Day of the Year
2018 Time of Day
2019 All the Fires the Fire
2019 Approach
2020 Birds (Or How to Be One)
2020 Iskioma
2020 The End of Suffering (A Proposal)
2021 Aleph
2021 Amygdala
2021 Apples
2021 Digger
2022 Homo Perfectus
2022 The Last Journey
2022 Under the Lake
2023 Ararat
2023 Arizones
2023 Ladies in Waiting
2023 Light of Light
2023 Mykonian Pastoral
2024 Buzzheart
2024 Dogwatch
2024 Unclickable
2024 When the Phone Rang
2025 Pooja, Sir
Sound Re-Recording Mixer:
2006 Gas
2008 The Best Bride
2009 Dogtooth
2010 Attenberg
2011 Alps
2012 Chamomile
2012 The Capsule
2013 24 Frames per Century
2013 Necktie
2013 The Benaki Museum
2014 7 Kinds of Wrath
2014 Modris
2014 Sivas
2014 Washingtonia
2014 When the Dogs Talked
2015 Motherland
2016 A Country of Two
2016 Athina Rachel Tsangari: Cinema on the Edges
2016 Fox
2016 Hiwa
2016 Rust / Óxido (C)
2016 Suntan
2017 After Before
2017 Preparation
2017 Unbuilt Light
2018 Hector Malot: The Last Day of the Year
2018 Pity
2018 Time of Day
2019 All the Fires the Fire
2019 Approach
2020 Birds (Or How to Be One)
2020 Iskioma
2020 The End of Suffering (A Proposal)
2021 Aleph
2021 Amygdala
2021 Apples
2021 Digger
2022 Homo Perfectus
2022 The Last Journey
2022 Under the Lake
2023 Ararat
2023 Arizones
2023 Fingernails
2023 Ladies in Waiting
2023 Light of Light
2023 Mykonian Pastoral
2023 Why Won't You Dance?
2024 Buzzheart
2024 Dogwatch
2024 Unclickable
2024 When the Phone Rang
2025 Pooja, Sir
Sound Recordist:
2006 Gas
2008 The Best Bride
2009 Dogtooth
2010 Attenberg
2011 Alps
2011 Face Down
2012 Chamomile
2012 The Capsule
2013 24 Frames per Century
2013 Necktie
2013 The Benaki Museum
2014 7 Kinds of Wrath
2014 Modris
2014 Sivas
2014 Washingtonia
2014 When the Dogs Talked
2015 Motherland
2016 A Country of Two
2016 Athina Rachel Tsangari: Cinema on the Edges
2016 Fox
2016 Hiwa
2016 Rust / Óxido (C)
2016 Suntan
2017 After Before
2017 Preparation
2017 Unbuilt Light
2018 Hector Malot: The Last Day of the Year
2018 Pity
2018 Time of Day
2019 All the Fires the Fire
2019 Approach
2020 Birds (Or How to Be One)
2020 Iskioma
2020 The End of Suffering (A Proposal)
2021 Aleph
2021 Amygdala
2021 Apples
2021 Digger
2022 Homo Perfectus
2022 The Last Journey
2022 Under the Lake
2023 Ararat
2023 Arizones
2023 Fingernails
2023 Ladies in Waiting
2023 Light of Light
2023 Mykonian Pastoral
2023 Why Won't You Dance?
2024 Buzzheart
2024 Dogwatch
2024 Unclickable
2024 When the Phone Rang
2025 Pooja, Sir
Supervising Sound Editor:
2006 Gas
2008 The Best Bride
2009 Dogtooth
2010 Attenberg
2011 Alps
2011 Face Down
2012 Chamomile
2012 The Capsule
2013 24 Frames per Century
2013 Necktie
2013 The Benaki Museum
2014 7 Kinds of Wrath
2014 Modris
2014 Sivas
2014 Washingtonia
2014 When the Dogs Talked
2015 Motherland
2016 A Country of Two
2016 Athina Rachel Tsangari: Cinema on the Edges
2016 Fox
2016 Hiwa
2016 Rust / Óxido (C)
2016 Suntan
2017 After Before
2017 Preparation
2017 Unbuilt Light
2018 Hector Malot: The Last Day of the Year
2018 Pity
2018 Time of Day
2019 All the Fires the Fire
2019 Approach
2019 Meltem
2020 Birds (Or How to Be One)
2020 Iskioma
2020 The End of Suffering (A Proposal)
2021 Aleph
2021 Amygdala
2021 Apples
2021 Digger
2022 A Cup of Coffee and New Shoes On
2022 A Day in the Life of a Teddy Bear
2022 Homo Perfectus
2022 The Last Journey
2022 Under the Lake
2023 Ararat
2023 Arizones
2023 Fingernails
2023 Ladies in Waiting
2023 Light of Light
2023 Mykonian Pastoral
2023 Why Won't You Dance?
2024 Buzzheart
2024 Dogwatch
2024 Unclickable
2024 When the Phone Rang
2025 Pooja, Sir
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.