A work in constant progress (and occasional regress).
Birthplace:
Denver, Colorado, USA
Born:
June 6, 1890
Died:
March 15, 1983
American editor.
Assistant Director:
1935 Break of Hearts
Editor:
1928 Avalanche
1928 Gentlemen Prefer Blondes
1928 The Water Hole
1929 Fast Company
1929 Pointed Heels
1929 Sunset Pass
1929 The Saturday Night Kid
1930 Along Came Youth
1930 Anybody's Woman
1930 The Light of Western Stars
1931 The Gang Buster
1931 Working Girls
1932 Madame Butterfly
1932 Merrily We Go to Hell
1933 Her Bodyguard
1933 The Crime of the Century
1933 Three-Cornered Moon
1933 White Woman
1934 Good Dame
1934 Thirty Day Princess
1935 Alice Adams
1935 Break of Hearts
1935 Sylvia Scarlett
1936 A Woman Rebels
Production Assistant:
1928 Avalanche
1928 Gentlemen Prefer Blondes
1928 The Water Hole
1929 Fast Company
1929 Pointed Heels
1929 Sunset Pass
1929 The Saturday Night Kid
1930 Along Came Youth
1930 Anybody's Woman
1930 The Light of Western Stars
1931 The Gang Buster
1931 Working Girls
1932 Madame Butterfly
1932 Merrily We Go to Hell
1933 Her Bodyguard
1933 The Crime of the Century
1933 Three-Cornered Moon
1933 White Woman
1934 Good Dame
1934 Thirty Day Princess
1935 Alice Adams
1935 Break of Hearts
1935 Sylvia Scarlett
1936 A Woman Rebels
1951 An American in Paris
Writer:
1928 Avalanche
1928 Gentlemen Prefer Blondes
1928 The Water Hole
1929 Fast Company
1929 Pointed Heels
1929 Sunset Pass
1929 The Saturday Night Kid
1930 Along Came Youth
1930 Anybody's Woman
1930 The Light of Western Stars
1931 The Gang Buster
1931 Working Girls
1932 Madame Butterfly
1932 Merrily We Go to Hell
1933 Her Bodyguard
1933 The Crime of the Century
1933 Three-Cornered Moon
1933 White Woman
1934 Good Dame
1934 Thirty Day Princess
1935 Alice Adams
1935 Break of Hearts
1935 Sylvia Scarlett
1936 A Woman Rebels
1942 Somewhere I'll Find You
1951 An American in Paris
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.