A work in constant progress (and occasional regress).
Birthplace:
Ozurgeti, Georgia
Born:
February 7, 1902
Died:
July 17, 1983
Simon (Siko) Dolidze was georgian filmmaker and writer. He graduated from Tbilisi State University Faculty of History and Philosophy in 1925 and started working in movie studio "SAkhkinmretsvi" as a administrator and then as an assistent to director. In 1927 he made short film "A day in Karacho". He filmed his first feature film "In The Area Of Avalanches" in 1931. Since that he has shoot many masterpiece of georgian cinema. For most of his films he was a writer as well. In 1957-1976 he was a head of Georgian SSR Filmmakers union. He was a deputy in Parliament of IV-VII and IX convocation. He has been awarded by several high titles for his contribution to cinema.
Director:
1933 Last Crusaders
1937 Dariko
1940 Friendship
1944 Jurghais Pari
1954 Chrichina
1957 Song of Eteri
1958 Fatima
1960 The Last Day, The First Day
1964 Lake Paliastomi
1967 Meeting With The Past
1968 The City Wakes Up Early
1975 Escape at Dawn
1980 Is That a Man?
1982 Kukaracha
Screenplay:
1933 Last Crusaders
1937 Dariko
1940 Friendship
1944 Jurghais Pari
1954 Chrichina
1957 Song of Eteri
1958 Fatima
1960 The Last Day, The First Day
1964 Lake Paliastomi
1967 Meeting With The Past
1968 The City Wakes Up Early
1975 Escape at Dawn
1980 Is That a Man?
1982 Kukaracha
Writer:
1929 My Grandmother
1933 Last Crusaders
1937 Dariko
1940 Friendship
1944 Jurghais Pari
1954 Chrichina
1957 Song of Eteri
1958 A Wedding of Jays
1958 Fatima
1960 The Last Day, The First Day
1964 Lake Paliastomi
1967 Meeting With The Past
1968 The City Wakes Up Early
1975 Escape at Dawn
1980 Is That a Man?
1981 A Variegated Butterfly
1982 Kukaracha
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.