A work in constant progress (and occasional regress).
Birthplace:
Grottaglie, Italy
Born:
July 2, 1977
Camera Operator:
2015 Land of Saints
Cinematography:
2009 Uerra
2012 Double
2013 Ammore
2013 Lao
2015 Land of Saints
2018 Due piccoli italiani
Director of Photography:
2006 Ma che ci faccio qui!
2009 Uerra
2012 Cosimo and Nicole
2012 Double
2013 Ammore
2013 Lao
2013 Snail's Pace
2015 Land of Saints
2016 Il giorno più bello
2016 Sciuscià 70
2017 Taranta On the Road
2018 Due piccoli italiani
2018 Wine to Love
2019 It's a Mad World
2019 Storia di Nilde
2021 Alida Valli: In Her Own Words
2022 Bla Bla Baby
2022 Black Parthenope
2023 Da grandi
2023 The Hunt
2024 Finché notte non ci separi
2024 Indagine su una storia d'amore
2024 Per il mio bene
2024 The Price of Nonna's Inheritance
Camera Operator:
2023 Sono Lillo
Cinematography:
2023 Sono Lillo
Director of Photography:
2016 Maggie & Bianca Fashion Friends
2023 Sono Lillo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.