A work in constant progress (and occasional regress).
Birthplace:
Milwaukee, Wisconsin
Born:
April 11, 1973
Sadie Benning is an American visual artist, who works in video, painting, drawing, sculpture, photography and sound. Benning explores a variety of themes including surveillance, gender, ambiguity, transgression, play, intimacy, and identity.
Cinematography:
1998 Flat Is Beautiful
Director:
1989 A New Year
1989 Living Inside
1989 Me and Rubyfruit
1990 If Every Girl Had a Diary
1990 Jollies
1990 Welcome to Normal
1991 A Place Called Lovely
1992 Flesh Histories
1992 Girl Power
1992 It Wasn't Love
1995 German Song
1995 The Judy Spots
1998 Flat Is Beautiful
1998 Julie Ruin - Aerobicide
2006 Play Pause
Editor:
1989 A New Year
1989 Living Inside
1989 Me and Rubyfruit
1990 If Every Girl Had a Diary
1990 Jollies
1990 Welcome to Normal
1991 A Place Called Lovely
1992 Flesh Histories
1992 Girl Power
1992 It Wasn't Love
1995 German Song
1995 The Judy Spots
1998 Flat Is Beautiful
1998 Julie Ruin - Aerobicide
2006 Play Pause
Producer:
1989 A New Year
1989 Living Inside
1989 Me and Rubyfruit
1990 If Every Girl Had a Diary
1990 Jollies
1990 Welcome to Normal
1991 A Place Called Lovely
1992 Flesh Histories
1992 Girl Power
1992 It Wasn't Love
1995 German Song
1995 The Judy Spots
1998 Flat Is Beautiful
1998 Julie Ruin - Aerobicide
2006 Play Pause
Writer:
1989 A New Year
1989 Living Inside
1989 Me and Rubyfruit
1990 If Every Girl Had a Diary
1990 Jollies
1990 Welcome to Normal
1991 A Place Called Lovely
1992 Flesh Histories
1992 Girl Power
1992 It Wasn't Love
1995 German Song
1995 The Judy Spots
1998 Flat Is Beautiful
1998 Julie Ruin - Aerobicide
2006 Play Pause
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.