A work in constant progress (and occasional regress).
Sound:
2016 Collective: Unconscious
Sound Designer:
2016 Collective: Unconscious
2017 Everything Beautiful Is Far Away
2019 Cura
2019 Subject to Review
2024 Bitterroot
2024 I Saw the TV Glow
Sound Editor:
2016 Collective: Unconscious
2017 Everything Beautiful Is Far Away
2019 Cura
2019 Laying Out
2019 Subject to Review
2024 Bitterroot
2024 I Saw the TV Glow
Sound Mixer:
2014 The David Dance
2016 Collective: Unconscious
2017 Everything Beautiful Is Far Away
2019 Cura
2019 Laying Out
2019 Subject to Review
2021 The Oxy Kingpins
2024 Bitterroot
2024 I Saw the TV Glow
Sound Re-Recording Mixer:
2014 The David Dance
2016 Collective: Unconscious
2017 Everything Beautiful Is Far Away
2018 Lez Bomb
2019 Cura
2019 Laying Out
2019 Subject to Review
2021 The Oxy Kingpins
2023 Bama Rush
2024 Bitterroot
2024 I Saw the TV Glow
Sound mixer:
2008 Countertransference
2014 The David Dance
2016 Collective: Unconscious
2017 Everything Beautiful Is Far Away
2018 Lez Bomb
2019 Cura
2019 Laying Out
2019 Subject to Review
2021 The Oxy Kingpins
2023 Bama Rush
2024 Bitterroot
2024 I Saw the TV Glow
Supervising Sound Editor:
2008 Countertransference
2014 The David Dance
2015 Ma
2016 Collective: Unconscious
2017 Everything Beautiful Is Far Away
2018 Lez Bomb
2019 Cura
2019 Laying Out
2019 Subject to Review
2019 This One's for the Ladies
2020 Save Yourselves!
2020 Socks on Fire
2020 The Garden Left Behind
2021 The Oxy Kingpins
2023 Bama Rush
2024 A Real Pain
2024 Bitterroot
2024 I Saw the TV Glow
Sound Designer:
2016 David: Story of David
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.