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Karen Lam

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Biography from TheMovieDB

Karen Lam is a Canadian director, writer, and producer specializing in horror and thriller genres. She began her career as a producer and entertainment lawyer before transitioning to directing.

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Film Performances

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Film Production

Director:
2010  Stained
2013  Doll Parts
2013  Evangeline
2013  Stalled
2013  The Pit: A Study in Horror
2015  Chiral
2017  7 from Etheria
2019  Shevenge
2020  The Curse of Willow Song
2022  Bring It On: Cheer Or Die
2025  Mrs. Chang’s Perfect Teeth
????  Ann Rule's Danger in the Dorm

Producer:
2010  Stained
2013  Doll Parts
2013  Evangeline
2013  Stalled
2013  The Pit: A Study in Horror
2015  Chiral
2017  7 from Etheria
2019  Shevenge
2020  The Curse of Willow Song
2022  Bring It On: Cheer Or Die
2025  Mrs. Chang’s Perfect Teeth
????  Ann Rule's Danger in the Dorm

Screenplay:
2010  Stained
2013  Doll Parts
2013  Evangeline
2013  Stalled
2013  The Pit: A Study in Horror
2015  Chiral
2017  7 from Etheria
2019  Shevenge
2020  The Curse of Willow Song
2022  Bring It On: Cheer Or Die
2025  Mrs. Chang’s Perfect Teeth
????  Ann Rule's Danger in the Dorm

Story:
2010  Stained
2013  Doll Parts
2013  Evangeline
2013  Stalled
2013  The Pit: A Study in Horror
2015  Chiral
2017  7 from Etheria
2019  Shevenge
2020  The Curse of Willow Song
2022  Bring It On: Cheer Or Die
2025  Mrs. Chang’s Perfect Teeth
????  Ann Rule's Danger in the Dorm

Writer:
2010  Stained
2013  Doll Parts
2013  Evangeline
2013  Stalled
2013  The Pit: A Study in Horror
2015  Chiral
2017  7 from Etheria
2019  Shevenge
2020  The Curse of Willow Song
2022  Bring It On: Cheer Or Die
2025  Mrs. Chang’s Perfect Teeth
????  Ann Rule's Danger in the Dorm

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.