A work in constant progress (and occasional regress).
Art Direction:
1969 Guns of the Magnificent Seven
1970 Cannon for Cordoba
1971 The Last Run
1971 Valdez Is Coming
1973 Charley-One-Eye
1973 The Man Called Noon
1977 March or Die
1983 Hundra
1984 Scarab
1986 Banter
1987 Siesta
Assistant Art Director:
1968 Villa Rides
1969 Guns of the Magnificent Seven
1970 Cannon for Cordoba
1971 The Last Run
1971 Valdez Is Coming
1973 Charley-One-Eye
1973 The Man Called Noon
1977 March or Die
1983 Hundra
1984 Scarab
1986 Banter
1987 Siesta
Assistant Set Decoration:
1963 Operación: Embajada
1963 The Dead Don't Forgive
1968 Villa Rides
1969 Guns of the Magnificent Seven
1970 Cannon for Cordoba
1971 The Last Run
1971 Valdez Is Coming
1973 Charley-One-Eye
1973 The Man Called Noon
1977 March or Die
1983 Hundra
1984 Scarab
1986 Banter
1987 Siesta
First Assistant Director:
1963 Operación: Embajada
1963 Pacto de silencio
1963 The Dead Don't Forgive
1968 Villa Rides
1969 Guns of the Magnificent Seven
1970 Cannon for Cordoba
1971 The Last Run
1971 Valdez Is Coming
1973 Charley-One-Eye
1973 The Man Called Noon
1977 March or Die
1983 Hundra
1984 Scarab
1986 Banter
1987 Siesta
Production Design:
1963 Operación: Embajada
1963 Pacto de silencio
1963 The Dead Don't Forgive
1968 Villa Rides
1969 Guns of the Magnificent Seven
1970 Cannon for Cordoba
1971 The Last Run
1971 Valdez Is Coming
1973 Charley-One-Eye
1973 The Man Called Noon
1974 And Then There Were None
1977 March or Die
1983 Hundra
1984 Scarab
1986 Banter
1987 Siesta
1987 The Trouble with Spies
Set Decoration:
1959 Poison at 2:30
1963 Operación: Embajada
1963 Pacto de silencio
1963 The Dead Don't Forgive
1968 Villa Rides
1969 Guns of the Magnificent Seven
1970 Cannon for Cordoba
1971 The Last Run
1971 Valdez Is Coming
1973 Charley-One-Eye
1973 The Man Called Noon
1974 And Then There Were None
1976 Spanish Fly
1977 March or Die
1980 Tres mujeres de hoy
1983 Hundra
1984 Scarab
1986 Banter
1987 Siesta
1987 The Trouble with Spies
Decorator:
1984 L'Homme de Suez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.