A work in constant progress (and occasional regress).
Alias:
John De Cuir
John F. DeCuir
John F. DeCuir Sr.
John F. Decuir
John de Cuir
Birthplace:
San Francisco, California, USA
Born:
June 4, 1918
Died:
October 29, 1991
Art Direction:
1947 Brute Force
1947 Time Out of Mind
1948 Casbah
1948 Mexican Hayride
1948 The Naked City
1949 The Life of Riley
1950 Curtain Call at Cactus Creek
1951 Mr. Belvedere Rings the Bell
1951 The House on Telegraph Hill
1951 The Model and the Marriage Broker
1952 Diplomatic Courier
1952 The Snows of Kilimanjaro
1953 Call Me Madam
1954 There's No Business Like Show Business
1954 Three Coins in the Fountain
1955 Daddy Long Legs
1956 The King and I
1957 Island in the Sun
1958 South Pacific
1960 Seven Thieves
1966 A Man Could Get Killed
1975 The Other Side of the Mountain
1979 Love and Bullets
Production Design:
1947 Brute Force
1947 Time Out of Mind
1948 Casbah
1948 Mexican Hayride
1948 The Naked City
1949 The Life of Riley
1950 Curtain Call at Cactus Creek
1951 Mr. Belvedere Rings the Bell
1951 The House on Telegraph Hill
1951 The Model and the Marriage Broker
1952 Diplomatic Courier
1952 The Snows of Kilimanjaro
1953 Call Me Madam
1954 There's No Business Like Show Business
1954 Three Coins in the Fountain
1955 Daddy Long Legs
1956 The King and I
1957 Island in the Sun
1958 South Pacific
1959 The Big Fisherman
1960 Seven Thieves
1963 Cleopatra
1964 Circus World
1965 The Agony and the Ecstasy
1966 A Man Could Get Killed
1967 Doctor Faustus
1967 The Honey Pot
1967 The Taming of the Shrew
1968 Charly
1969 Hello, Dolly!
1970 On a Clear Day You Can See Forever
1970 The Great White Hope
1975 Once Is Not Enough
1975 The Other Side of the Mountain
1977 The Other Side of Midnight
1978 Ziegfeld: The Man and His Women
1979 Love and Bullets
1980 Raise the Titanic
1982 Dead Men Don't Wear Plaid
1984 Ghostbusters
1998 Land of the Free
Production Illustrator:
1942 Saboteur
1947 Brute Force
1947 Time Out of Mind
1948 Casbah
1948 Mexican Hayride
1948 The Naked City
1949 The Life of Riley
1950 Curtain Call at Cactus Creek
1951 Mr. Belvedere Rings the Bell
1951 The House on Telegraph Hill
1951 The Model and the Marriage Broker
1952 Diplomatic Courier
1952 The Snows of Kilimanjaro
1953 Call Me Madam
1954 There's No Business Like Show Business
1954 Three Coins in the Fountain
1955 Daddy Long Legs
1956 The King and I
1957 Island in the Sun
1958 South Pacific
1959 The Big Fisherman
1960 Seven Thieves
1963 Cleopatra
1964 Circus World
1965 The Agony and the Ecstasy
1966 A Man Could Get Killed
1967 Doctor Faustus
1967 The Honey Pot
1967 The Taming of the Shrew
1968 Charly
1969 Hello, Dolly!
1970 On a Clear Day You Can See Forever
1970 The Great White Hope
1975 Once Is Not Enough
1975 The Other Side of the Mountain
1977 The Other Side of Midnight
1978 Ziegfeld: The Man and His Women
1979 Love and Bullets
1980 Raise the Titanic
1982 Dead Men Don't Wear Plaid
1984 Ghostbusters
1998 Land of the Free
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.