Mark Nassief

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Director:
2007  I Yam What I Yam: The Story of Popeye the Sailor

Editor:
2000  Walking the Mile: The Making of The Green Mile
2007  I Yam What I Yam: The Story of Popeye the Sailor
2014  Walking the Mile
????  Hideous Progeny: The Curse of Frankenstein and the English Gothic Tradition
????  The Resurrection Men: Hammer, Frankenstein and the Rebirth of the Horror Film

Producer:
2000  Walking the Mile: The Making of The Green Mile
2006  All of What Follows Is True: The Making of 'Butch Cassidy and the Sundance Kid'
2007  Forging the Frame: The Roots of Animation, 1900-1920
2007  I Yam What I Yam: The Story of Popeye the Sailor
2007  Unsung Maestros: A Directors Tribute
2008  Forging the Frame: The Roots of Animation, 1921-1930
2008  In the Beginning: Quo Vadis and the Genesis of the Biblical Epic
2014  Walking the Mile
2018  The Animagic World of Rankin/Bass
2022  To Kill a Mockingbird: All Points of View
2023  Making The Flash: Worlds Collide
????  Hideous Progeny: The Curse of Frankenstein and the English Gothic Tradition
????  The Resurrection Men: Hammer, Frankenstein and the Rebirth of the Horror Film

Writer:
2000  Walking the Mile: The Making of The Green Mile
2006  All of What Follows Is True: The Making of 'Butch Cassidy and the Sundance Kid'
2006  The Wild Bunch: The True Tale of Butch and Sundance
2007  Forging the Frame: The Roots of Animation, 1900-1920
2007  I Yam What I Yam: The Story of Popeye the Sailor
2007  Unsung Maestros: A Directors Tribute
2008  Forging the Frame: The Roots of Animation, 1921-1930
2008  In the Beginning: Quo Vadis and the Genesis of the Biblical Epic
2008  Out of the Inkwell: The Fleischer Story
2014  Walking the Mile
2018  The Animagic World of Rankin/Bass
2021  Catwoman: The Feline Femme Fatale
2022  To Kill a Mockingbird: All Points of View
2023  Making The Flash: Worlds Collide
????  Hideous Progeny: The Curse of Frankenstein and the English Gothic Tradition
????  The Resurrection Men: Hammer, Frankenstein and the Rebirth of the Horror Film

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.