A work in constant progress (and occasional regress).
Birthplace:
Chicago, Illinois, USA
Born:
June 6, 1926
Died:
September 6, 2011
Jordan Belson was an American artist and filmmaker who created nonobjective, often spiritually oriented, abstract films spanning six decades.
Cinematography:
1953 Obmaru
1953 Things to Come
Director:
1948 Improvisation No. 1
1950 San Francisco Chronicle Commercial
1951 Mambo
1952 Bop Scotch
1952 Caravan
1953 Mandala
1953 Obmaru
1953 Things to Come
1958 Raga
1959 High Voltage
1959 Séance
1959 Vortex V presentation reel
1961 Allures
1962 LSD
1964 Re-entry
1965 Phenomena
1967 Samadhi
1968 Momentum
1969 Cosmos
1970 World
1971 Meditation
1972 Chakra
1973 Light
1974 Cycles
1977 Music of the Spheres
1980 Blues
1980 Infinity
1982 Apollo
1982 Quartet
1984 Creation
1984 Fountain of Dreams
1985 Northern Lights
1987 Thoughtforms
1989 Samadhi And Other Films
1997 Mysterious Journey
2001 Bardo
2005 Epilogue
Director of Photography:
1948 Improvisation No. 1
1950 San Francisco Chronicle Commercial
1951 Mambo
1952 Bop Scotch
1952 Caravan
1953 Mandala
1953 Obmaru
1953 The End
1953 Things to Come
1958 Raga
1959 High Voltage
1959 Séance
1959 Vortex V presentation reel
1961 Allures
1962 LSD
1964 Re-entry
1965 Phenomena
1967 Samadhi
1968 Momentum
1969 Cosmos
1970 World
1971 Meditation
1972 Chakra
1973 Light
1974 Cycles
1977 Music of the Spheres
1980 Blues
1980 Infinity
1982 Apollo
1982 Quartet
1984 Creation
1984 Fountain of Dreams
1985 Northern Lights
1987 Thoughtforms
1989 Samadhi And Other Films
1997 Mysterious Journey
2001 Bardo
2005 Epilogue
Music:
1948 Improvisation No. 1
1950 San Francisco Chronicle Commercial
1951 Mambo
1952 Bop Scotch
1952 Caravan
1953 Mandala
1953 Obmaru
1953 The End
1953 Things to Come
1958 Raga
1959 High Voltage
1959 Séance
1959 Vortex V presentation reel
1961 Allures
1962 LSD
1964 Re-entry
1965 Phenomena
1967 Samadhi
1968 Momentum
1969 Cosmos
1970 World
1971 Meditation
1972 Chakra
1973 Light
1974 Anima
1974 Cycles
1974 Video Weavings
1977 Music of the Spheres
1980 Blues
1980 Infinity
1982 Apollo
1982 Quartet
1984 Creation
1984 Fountain of Dreams
1985 Northern Lights
1987 Thoughtforms
1989 Samadhi And Other Films
1997 Mysterious Journey
2001 Bardo
2005 Epilogue
Visual Effects:
1948 Improvisation No. 1
1950 San Francisco Chronicle Commercial
1951 Mambo
1952 Bop Scotch
1952 Caravan
1953 Mandala
1953 Obmaru
1953 The End
1953 Things to Come
1958 Raga
1959 High Voltage
1959 Séance
1959 Vortex V presentation reel
1961 Allures
1962 LSD
1964 Re-entry
1965 Phenomena
1967 Samadhi
1968 Momentum
1969 Cosmos
1970 World
1971 Meditation
1972 Chakra
1973 Light
1974 Anima
1974 Cycles
1974 Video Weavings
1977 Demon Seed
1977 Music of the Spheres
1980 Blues
1980 Infinity
1982 Apollo
1982 Quartet
1983 The Right Stuff
1984 Creation
1984 Fountain of Dreams
1985 Northern Lights
1987 Thoughtforms
1989 Samadhi And Other Films
1997 Mysterious Journey
2001 Bardo
2005 Epilogue
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.