A work in constant progress (and occasional regress).
Alias:
Ian Robert Ritchie
Ian Ritchie is an English composer, record producer, arranger and saxophonist. He was the producer of Roger Waters' album Radio K.A.O.S., along with other recordings with Laurie Anderson (Strange Angels), Pete Wylie (Sinful), Hugh Cornwell (Wolf) and the Big Dish (Swimmer). During the 1980s, he collaborated with English singer/songwriter Gary Numan. Ritchie is also the composer of "The Globe Trekker Theme" (previously known as "The Lonely Planet Theme"), the theme music of the travel show Globe Trekker. He is a member of the Liverpool-based theatre rock group Deaf School, and has released a number of singles in the 1980s under the name Miro Miroe. His saxophone playing can be heard on "See the Day" by Dee C Lee, "Club Tropicana" by Wham!, "C'est La Vie" by Robbie Nevil and on his debut jazz album Ian Ritchie's SOHO Project. In 2006–2008, Ritchie toured as saxophonist with Roger Waters as part of the backing band on the Dark Side of the Moon Live tour. In 2010, he toured Europe with Australian progressive rock band Unitopia. In 2013, Ritchie released South of Houston, a second jazz album under his own name. He has produced an album for the dance group URUBU and performs with them. Other groups Ritchie plays with include the Blue Jays ('50s rock & roll), the Cricklewood Cats (jazz/cabaret, together with Holly Penfield), Tina T's Smooth Soul (soul/R&B/house) and the Crown Moran Allstars (jazz), who also have an eponymous album written and produced by Ritchie. In 2016, he took part in the historic Desert Trip concerts at Coachella. From 2017 to 2018, he again toured with Roger Waters' new lineup playing tenor saxophone. The Us + Them show was performed in 157 venues across the world.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.