A work in constant progress (and occasional regress).
Birthplace:
Dobroteasa, Argeş, România
Born:
January 16, 1928
Died:
May 6, 1991
Virgil Calotescu was a prolific Romanian film director, known for his extensive work in both documentary and feature films. He graduated from the Faculty of History at the University of Bucharest in 1950 and began his career at the Sahia Film studio, debuting with the documentary Daruri smulse naturii in 1952. Calotescu directed nearly 50 films between 1952 and 1987, often collaborating with screenwriter Francisc Munteanu. Notable works include Buletin de București (1982), a comedy exploring the bureaucratic challenges of obtaining a residence permit in Bucharest, and Căsătorie cu repetiție (1985), which humorously examines marital relationships. His films are recognized for their satirical take on social issues and remain significant in Romanian cinema.
Director:
1960 Re-enactment
1965 Camera alba
1967 Underneath the Surface
1970 The War of the Princesses
1971 Ședința s-a amânat a doua oară
1972 Love Begins on Friday
1974 Three Secret Letters
1976 The Last Night of Loneliness
1978 Operation 'The Bus'
1979 The Last Frontier of Death
1979 Uncertain Roads
1980 The "S" Network
1981 Ana and the Thief
1982 Bucharest Identity Card
1985 Promisses
1985 Repeated Wedding
Writer:
1960 Re-enactment
1965 Camera alba
1967 Underneath the Surface
1970 The War of the Princesses
1971 Ședința s-a amânat a doua oară
1972 Love Begins on Friday
1974 Three Secret Letters
1976 The Last Night of Loneliness
1978 Operation 'The Bus'
1979 The Last Frontier of Death
1979 Uncertain Roads
1980 The "S" Network
1981 Ana and the Thief
1982 Bucharest Identity Card
1985 Promisses
1985 Repeated Wedding
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.