A work in constant progress (and occasional regress).
Additional Production Sound Mixer:
2010 Drake: Live From Radio City Music Hall
Recording Supervision:
2010 Drake: Live From Radio City Music Hall
2019 Rock and Roll Hall of Fame 2019 Induction Ceremony
Sound:
2010 Drake: Live From Radio City Music Hall
2010 Regina Spektor: Live in London
2019 Rock and Roll Hall of Fame 2019 Induction Ceremony
Sound Designer:
1999 Donna Summer - Live and More Encore!
2010 Drake: Live From Radio City Music Hall
2010 Regina Spektor: Live in London
2019 Rock and Roll Hall of Fame 2019 Induction Ceremony
Sound Mixer:
1999 Donna Summer - Live and More Encore!
2002 Texas
2010 Drake: Live From Radio City Music Hall
2010 Regina Spektor: Live in London
2011 Forever's Gonna Start Tonight
2019 Rock and Roll Hall of Fame 2019 Induction Ceremony
2023 Take Care of Maya
Sound Post Production Coordinator:
1999 Donna Summer - Live and More Encore!
2002 Texas
2005 I’m Still Here: Real Diaries of Young People Who Lived During the Holocaust
2010 Drake: Live From Radio City Music Hall
2010 Regina Spektor: Live in London
2011 Forever's Gonna Start Tonight
2019 Rock and Roll Hall of Fame 2019 Induction Ceremony
2023 Take Care of Maya
Sound Re-Recording Mixer:
1999 Donna Summer - Live and More Encore!
2002 Texas
2005 I’m Still Here: Real Diaries of Young People Who Lived During the Holocaust
2006 Tony Bennett: An American Classic
2010 Drake: Live From Radio City Music Hall
2010 Regina Spektor: Live in London
2011 Forever's Gonna Start Tonight
2012 Taylor Swift: VH1 Storytellers
2019 Rock and Roll Hall of Fame 2019 Induction Ceremony
2020 Savage X Fenty Show Vol. 2
2023 Take Care of Maya
Sound Re-Recording Mixer:
2005 VH1 Storytellers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.