A work in constant progress (and occasional regress).
Birthplace:
Santiago de Compostela, A Coruña, Galicia, Spain
Fernando Cortizo Rodríguez, born in 1973 in Santiago de Compostela, is a Galician director and screenwriter. After practicing for a time as a veterinarian, he became interested in real-image cinema, and made two real-image short films, before moving on to stop-motion animation with the short film Black Cat Spantat. After this first experience, in 2007 he created Artefacto Producciones, where he made O Boiro, O Ladrón de Dollecas, Leo, Sombras na noite and Promesa. In 2009, he began the production of his first feature film, The Apostle, being the first European film in stereoscopic stop motion. For the project, he managed to involve technicians from the biggest world productions, as well as the North American musician Philip Glass for the realization of the soundtrack. The film won numerous international awards such as: ANNECY Audience Award (France 2013), Fantasporto Jury Award (Portugal 2013), Animamundi Winner (Brazil 2013), Best Film Animpact (Korea 2013), Best Film Expotoons (Argentina 2012) ), in addition to a nomination at the 2013 Goya Awards, in the best animated film category.
Director:
2007 El ladrón de muñecas
2012 The Apostle
Screenplay:
2007 El ladrón de muñecas
2012 The Apostle
2015 The Cryptozoologist
Writer:
2007 El ladrón de muñecas
2012 The Apostle
2015 The Cryptozoologist
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.