A work in constant progress (and occasional regress).
Assistant Camera:
1995 Ragazzi della notte
1996 3
2002 Nati stanchi
2003 The Best of Youth
2009 La matassa
2011 Whatsoeverly
Camera Technician:
1995 Ragazzi della notte
1996 3
1996 The Nymph
2002 Nati stanchi
2003 The Best of Youth
2009 La matassa
2011 Whatsoeverly
Cinematography:
1995 Ragazzi della notte
1996 3
1996 The Nymph
2002 Nati stanchi
2003 The Best of Youth
2009 La matassa
2010 Il sangue verde
2011 Whatsoeverly
Director of Photography:
1995 Ragazzi della notte
1996 3
1996 The Nymph
2002 Nati stanchi
2003 The Best of Youth
2009 La matassa
2010 Il sangue verde
2011 Whatsoeverly
2014 A Boss in the Living Room
2014 La scuola più bella del mondo
2018 San Valentino Stories
2018 Vengo anch'io
2019 Beware the Gorilla
2022 Everyone on Board
2024 Le seduzioni
First Assistant Camera:
1995 Ragazzi della notte
1996 3
1996 The Nymph
2002 Nati stanchi
2003 The Best of Youth
2004 Stork Day
2008 We Can Do That
2009 La matassa
2010 Il sangue verde
2011 Un Natale per due
2011 Whatsoeverly
2014 A Boss in the Living Room
2014 La scuola più bella del mondo
2018 San Valentino Stories
2018 Vengo anch'io
2019 Beware the Gorilla
2022 Everyone on Board
2024 Le seduzioni
Second Assistant Camera:
1994 OcchioPinocchio
1995 Ragazzi della notte
1996 3
1996 The Nymph
2002 Nati stanchi
2003 The Best of Youth
2004 Stork Day
2008 We Can Do That
2009 La matassa
2010 Il sangue verde
2011 Un Natale per due
2011 Whatsoeverly
2014 A Boss in the Living Room
2014 La scuola più bella del mondo
2018 San Valentino Stories
2018 Vengo anch'io
2019 Beware the Gorilla
2022 Everyone on Board
2024 Le seduzioni
Director of Photography:
2021 Lolita Lobosco
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.