Jeremy Ball

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Birthplace:
Victoria, British Columbia, Canada

Jeremy Ball is a Canadian visual effects supervisor and filmmaker native of Victoria, British Columbia. He holds a Bachelor of Arts degree in Pacific & Asian Studies from University of Victoria. He spent more than a decade in the People’s Republic of China. From 2004 to 2007, he completed an Master of Arts degree in Film Studies at the Beijing Film Academy. At the same time, he worked worked in the art and visual effects departments of numerous productions including John Curran's The Painted Veil, Mark Forster's The Kite Runner, and Rob Minkoff's The Forbidden Kingdom. From 2008 to 2011, he worked as an Onset Visual Effects Supervisor for Base FX. He attended the Canadian Film Centre’s Directing Lab in 2011. His first short film, Sync, was completed in 2011 and premiered at the Seattle International Film Festival’s One Reel Festival. His follow up, Frost, completed as part of the Canadian Film Centre’s short dramatic film program, was nominated for Directors Guild of Canada and Canadian Screen Awards in 2013. In 2013, he directed and wrote The Archivist, a short film celebrating the centennial of Toronto's historic Eglin & Winter Garden Theatre Centre, and directed the fourth episode of Vincenzo Natali’s digital series, Darknet. In 2016, he was a Visual Effects Supervisor on the firest season of American Gods. In 2017, he joined MYTH VFX as a Visual Effects Supervisor working on multiple Chinese language feature film projects.

Additional information:

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Director:
2012  Frost

VFX Supervisor:
2012  Frost
2023  Creation of the Gods I: Kingdom of Storms

Visual Effects Supervisor:
2010  Death Race 2
2012  Frost
2023  Creation of the Gods I: Kingdom of Storms

Writer:
2010  Death Race 2
2012  Frost
2023  Creation of the Gods I: Kingdom of Storms

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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