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Lauren Lazin (b. 1960)

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Birthplace:
U.S.A

Born:
August 4, 1960

Biography from TheMovieDB

Lauren Lazin is an American filmmaker whose first feature film, Tupac: Resurrection was nominated for a 2005 Academy Award. Her follow-up film, I'm Still Here: Real Diaries of Young People Who Lived During the Holocaust was nominated for two 2006 Emmy Awards, and was named Best Documentary by the National Foundation for Jewish Culture. She was also the director of the documentary The Last Days of Left Eye which looked at the life and death of Lisa "Left Eye" Lopes of TLC.

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Film Production

Director:
1985  The Flapper Story
2003  Tupac: Resurrection
2005  I’m Still Here: Real Diaries of Young People Who Lived During the Holocaust
2007  The Last Days of Left Eye
2012  Can't Stand Losing You: Surviving The Police
2014  The L Word Mississippi: Hate the Sin

Executive Producer:
1985  The Flapper Story
2003  Tupac: Resurrection
2005  I’m Still Here: Real Diaries of Young People Who Lived During the Holocaust
2006  The U.S. vs. John Lennon
2007  The Last Days of Left Eye
2012  Can't Stand Losing You: Surviving The Police
2012  Yo! The Story of ‘Yo! MTV Raps’
2014  The L Word Mississippi: Hate the Sin

Producer:
1985  The Flapper Story
2003  Tupac: Resurrection
2005  I’m Still Here: Real Diaries of Young People Who Lived During the Holocaust
2006  The U.S. vs. John Lennon
2007  The Last Days of Left Eye
2012  Can't Stand Losing You: Surviving The Police
2012  Yo! The Story of ‘Yo! MTV Raps’
2014  The L Word Mississippi: Hate the Sin

Writer:
1985  The Flapper Story
2003  Tupac: Resurrection
2005  I’m Still Here: Real Diaries of Young People Who Lived During the Holocaust
2006  The U.S. vs. John Lennon
2007  The Last Days of Left Eye
2012  Can't Stand Losing You: Surviving The Police
2012  Yo! The Story of ‘Yo! MTV Raps’
2014  The L Word Mississippi: Hate the Sin

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TV Production

Producer:
1998  True Life

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.