A work in constant progress (and occasional regress).
Alias:
Tamara Haasan
Tamara Haasen
Tamara Jolaine Haasen
Birthplace:
London - Ontario - Canada
Born:
May 20, 1983
Tamara Jolaine, began her acting career in Canada. At age 18, around the time of her completion of her Political Science degree at the University of Toronto, she cast aside her plans to attend law school and began an artistic journey revolving around both acting and music. In Toronto, Tamara worked on many film and commercial projects. The feature independent film Tough Love, directed by Frank Caruso, was her first official starring role and aided in her decision to take acting further and move to study in New York. Jolaine studied at Circle in the Square Theater School and it was there, in Times Square, where she really began to hone her skills. Following the completion of her training, Tamara set her sights on the theater, starring in many off-Broadway shows, including the hit show Line, written by Israel Horowitz. She also got her feet wet in a musical titled, Let’s Be Frank, playing both Lauren Bacall and Shirley Maclain, which received widespread accolades from audiences all over Manhattan. By the time she left New York, Tamara had starred in more than seven off-Broadway plays. It was in Austin where Tamara found her ultimate acting mentor, David A. Cox. David studied for many years under the great Sanford Meisner and today he personally embodies the man’s teaching spirit and methods. Under Cox’s tutelage, Tamara continued to develop her craft, which eventually aided in her securing a recurring role on NBC’s Friday Night Lights, as Erin, the free-spirited waitress who finds herself in a life altering circumstance. In the second season finale her character, Erin, reveals to former star quarterback, Jason Streets, that she is pregnant with his child.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.