A work in constant progress (and occasional regress).
Birthplace:
Tucson, Arizona, USA
Alysa Nahmias is an award-winning producer of documentary and narrative films. Her debut feature documentary about Cuba's revolutionary architecture, Unfinished Spaces (2011), was broadcast on PBS, HBO Latin America, and Al-Jazeera "Witness," won a 2012 Independent Spirit Award, numerous film festival prizes, and was selected for Sundance Film Forward. She recently produced the fiction feature No Light and No Land Anywhere by director Amber Sealey with executive producer Miranda July, which won a Special Jury Prize at the 2016 L.A. Film Festival. Her documentary producing credits include the Kino Lorber and PBS American Masters release Afternoon of a Faun: Tanaquil Le Clercq directed by Nancy Buirski with creative advisor Martin Scorsese (New York Film Festival, Berlinale, 2013); Shield and Spear by director Petter Ringborn (Hot Docs, Sheffield Doc/Fest, 2014); Academy Award-nominated director Jennifer Redfearn's ITVS/PBS feature Tocando La Luz (Full Frame Jury Prize, 2015). Nahmias was a 2013 Film Independent Fellow. Her work has been shown at festivals and exhibitions worldwide, including the Venice Biennale and MoMA.
Consulting Producer:
2024 The Tuba Thieves
2025 Maintenance Artist
Director:
2011 Unfinished Spaces
2019 The New Bauhaus
2022 Art & Krimes by Krimes
2024 The Tuba Thieves
2025 Maintenance Artist
Executive Producer:
2011 Unfinished Spaces
2019 The New Bauhaus
2022 Art & Krimes by Krimes
2022 I Didn't See You There
2024 Dis-Ease
2024 Homegrown
2024 The Tuba Thieves
2025 Maintenance Artist
Producer:
2011 Unfinished Spaces
2017 No Light and No Land Anywhere
2017 Unrest
2019 The New Bauhaus
2019 What We Left Unfinished
2022 A Decent Home
2022 Art & Krimes by Krimes
2022 I Didn't See You There
2022 Wildcat
2024 Dis-Ease
2024 Homegrown
2024 The Tuba Thieves
2025 Maintenance Artist
Screenplay:
2011 Unfinished Spaces
2017 No Light and No Land Anywhere
2017 Unrest
2019 The New Bauhaus
2019 What We Left Unfinished
2022 A Decent Home
2022 Art & Krimes by Krimes
2022 I Didn't See You There
2022 Wildcat
2024 Dis-Ease
2024 Homegrown
2024 The Tuba Thieves
2025 Maintenance Artist
Writer:
2011 Unfinished Spaces
2017 No Light and No Land Anywhere
2017 Unrest
2019 The New Bauhaus
2019 What We Left Unfinished
2022 A Decent Home
2022 Art & Krimes by Krimes
2022 I Didn't See You There
2022 Wildcat
2024 Dis-Ease
2024 Homegrown
2024 The Tuba Thieves
2025 Maintenance Artist
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.