A work in constant progress (and occasional regress).
Alias:
Рабах Лусиф
رباح لوصيف
Birthplace:
Chlef, Algeria
Born:
January 1, 1944
Rabah Loucif (Arabic: رباح لوصيف), born January 1, 1944, in Chlef, Algeria, under the sign of Capricorn, is a French-Algerian actor. Rabah began his theatrical career in Algeria, winning first prize at the Young Algerian Theater Festival and directing various iconic plays such as Caligula, Montserrat, and The Tales of Djeha, actively participating in the development of Algerian theater through numerous national performances. Based in France since 1958, he has established himself on the French-speaking stage—in theater, film, and television—collaborating with great directors such as Chéreau, Perinetti, Beineix, Boisset, and Audiard. Rabah Loucif has also distinguished himself in notable roles on television: he notably plays "Hassan" in the series Diane, femme flic, "Tariq's Father" in La promesse du feu, "Farflaoui" in Julie Lescaut, and "Mohamed Ben Sala" in "Une famille Formidable". His eclectic filmography includes more than sixty roles in film, television, and short films, combining drama, comedy, and politically charged works, including: R.A.S. (1973), The Lifeguard (1979), Beaujolais Nouveau Est Arrivé (1978), Train d’Enfer (1985), Banzaï (1983), Pentimento (1989), Fruits and Vegetables (1994), Honor of the Tribe (1993), and Shock Waves (2007), A Prophet (2009), 37°2 Le Matin (Betty Blue, 1986), Polisse (2011), Mohamed Dubois (2013), Ramdam (2020), etc. Rabah Loucif remains a familiar face to French and Algerian audiences, recognized for his authenticity, versatility, and artistic commitment to poignant human stories, social dramas, and popular comedies.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.