A work in constant progress (and occasional regress).
Alias:
Dayo Wong Chi-Wah
Wong Chi-Wah
Wong Tze-Wah
Zihua Huang
黃子華
黄子华
Birthplace:
Hong Kong, British Crown Colony [now China]
Born:
September 5, 1960
Dayo Wong Chi-Wah (Chinese: 黃子華) is a Hong Kong stand-up comedian and actor. Wong gained a bachelor's degree in philosophy from the University of Alberta in Canada. He began his career in the entertainment industry in Hong Kong in 1984, but he is best known for his works in live stand-up comedy which he started performing regularly in 1990. Since then he has starred in TV dramas and films and has recorded several albums. In comparison with his stand-up comedy and TV dramas, his movies are not as successful. When asked the reasons behind it, he explained that his ultimate goal is to look for something new in his movies. His visions make his work good to watch, but it is not good enough to attract people to pay for a cinema ticket. Additionally, he hates doing promotions for his work.
Author:
1997 秋前算賬
Director:
1997 秋前算賬
2002 Fighting To Survive
2012 The Kick
2020 The Grand Grandmaster
Original Story:
1997 秋前算賬
2001 Let's Sing Along
2002 Fighting To Survive
2012 The Kick
2020 The Grand Grandmaster
Screenplay:
1993 Two of a Kind
1997 秋前算賬
2001 Let's Sing Along
2002 Fighting To Survive
2012 The Kick
2018 Agent Mr. Chan
2020 The Grand Grandmaster
Writer:
1990 A Bitter Story of Eastern Hollywood
1991 Sexy Family
1992 The Magic Touch
1992 跟住去邊度
1993 Pink Bomb
1993 Two of a Kind
1994 The God of Money
1995 棟篤笑雙打之玩無可玩
1997 秋前算帳
1997 秋前算賬
1999 拾下拾下
2001 Let's Sing Along
2002 Fighting To Survive
2003 冇炭用
2006 兒童不宜
2007 越大鑊 越快樂
2009 嘩眾取寵
2010 娛樂圈血肉史II
2012 The Kick
2012 洗燥
2018 Agent Mr. Chan
2020 The Grand Grandmaster
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.