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Janine Bazin (1923-2003)

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Alias:
Janine Kirsch

Birthplace:
France

Born:
January 29, 1923

Died:
May 31, 2003

Additional information:

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Film Performances

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Film Production

Creator:
1993  Oliveira, l'architecte
2011  Celluloid and Marble

Documentation & Support:
1976  Let's Talk Cinema, Henri Langlois' anti-courses
1993  Oliveira, l'architecte
2011  Celluloid and Marble

Producer:
1961  Jean Renoir parle de son art
1965  Bresson: Without a Trace
1965  Filmmakers of Our Time: François Truffaut or the Critical Spirit
1967  Cinéastes de notre temps : Jacques Becker
1967  Jean Renoir, le patron, 2e partie: La direction d'acteur
1967  Jean Renoir, le patron, 1re partie: La recherche du relatif
1967  Jean Renoir, le patron, 3e partie: La règle et l'exception
1967  Josef von Sternberg - From Silence Comes Another
1967  The Dinosaur and the Baby
1970  Cinéastes de notre temps : François Truffaut : Dix ans, dix films
1971  Jean-Pierre Melville: Portrait in 9 Poses
1972  Cinéastes de notre temps : Norman McLaren
1976  Let's Talk Cinema, Henri Langlois' anti-courses
1989  David Lynch: Don't Look at Me
1990  Jacques Rivette, the Watchman
1990  The Scorsese Machine
1993  Claude Chabrol, l'entomologiste
1993  Oliveira, l'architecte
1997  Chantal Akerman by Chantal Akerman
1998  Georges Franju - Le visionnaire
1999  Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
2003  Abel Ferrara: Not Guilty
2011  Celluloid and Marble
2012  Cinéastes de notre temps : Erich von Stroheim
2012  Cinéastes de notre temps : Jean Vigo

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TV Production

Script:
1989  Cinéma, de notre temps

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.