A work in constant progress (and occasional regress).
Production Sound Mixer:
2010 Bo
2015 Admiral
2016 Sweet Dumplings
2018 Kursk
2019 The Best of Dorien B.
2023 Omen
2025 L'Homme qui rétrécit
Sound:
2005 Another Day
2010 Bo
2015 Admiral
2016 Sweet Dumplings
2018 Kursk
2018 The Resistance Banker
2019 The Best of Dorien B.
2023 Omen
2025 L'Homme qui rétrécit
Sound Designer:
2005 Another Day
2010 Bo
2015 Admiral
2016 Sweet Dumplings
2018 Kursk
2018 The Resistance Banker
2018 Your Mother Should Know
2019 The Best of Dorien B.
2023 Omen
2025 L'Homme qui rétrécit
Sound Director:
2005 Another Day
2010 Bo
2012 The Broken Circle Breakdown
2015 Admiral
2016 Sweet Dumplings
2018 Kursk
2018 The Resistance Banker
2018 Your Mother Should Know
2019 The Best of Dorien B.
2023 Omen
2025 L'Homme qui rétrécit
Sound Mixer:
2004 Steve + Sky
2005 Another Day
2010 Bo
2012 The Broken Circle Breakdown
2015 Admiral
2016 Sweet Dumplings
2018 Kursk
2018 The Resistance Banker
2018 Your Mother Should Know
2019 The Best of Dorien B.
2023 Omen
2025 L'Homme qui rétrécit
Sound Recordist:
2020 Commandos
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.