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Jim Kronzer

Alias:
James Kronzer

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Film Production

Production Design:
2011  Tom Papa: Live in New York City
2012  Jim Norton: Please Be Offended
2013  Bo Burnham: What.
2013  F#Ck Nick Cannon
2013  Iliza Shlesinger: War Paint
2013  Kathleen Madigan: Madigan Again
2013  Mike Birbiglia: My Girlfriend's Boyfriend
2013  Rob Schneider: Soy Sauce and the Holocaust
2013  Tom Papa: Freaked Out
2014  Christian Finnegan: The Fun Part
2014  Doug Benson: Doug Dynasty
2015  Colin Quinn: Unconstitutional
2015  Demetri Martin: Live (At The Time)
2015  Iliza Shlesinger: Freezing Hot
2015  Lil Rel Howery: RELevent
2016  Ali Wong: Baby Cobra
2016  Cameron Esposito: Marriage Material
2016  Steve-O: Guilty as Charged
2017  Anjelah Johnson: Mahalo & Goodnight
2017  Bob Saget: Zero to Sixty
2017  Marc Maron: Too Real
2018  Ali Wong: Hard Knock Wife
2018  Jim Gaffigan: Noble Ape
2018  Kevin Smith: Silent but Deadly
2018  Owen Benjamin: Huge Pianist
2019  #IMomSoHard Live
2019  Steve Treviño: 'Til Death
2020  Sincerely Louis C.K.
2020  Tom Segura: Ball Hog
2021  Erica Rhodes: La Vie en Rhodes
2022  Tim Dillon: A Real Hero
2022  Tom Papa: What a Day!
2023  Darienne Lake: Altered Boy
2023  Ginger Minj: Bless Your Heart
2023  Jinkx Monsoon: Red Head Redemption
2024  Kevin James: Irregardless
2024  Tom Papa: Home Free
2025  Kill Tony: Kill or Be Killed

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.