A work in constant progress (and occasional regress).
Birthplace:
Lyon, Rhône, France
Born:
April 9, 1984
Romain Compingt is the youngest graduate of the CEEA (Conservatoire européen d'écriture audiovisuelle). Régis Roinsard's “Populaire”, five-time nominated at the César 2013, is his frist writing credit on a feature film. He then co-wrote “Divines” with director Houda Benyamina, on which he was also artistic collaborator. The film won the Caméra d'or at the 2016 Cannes Film Festival and the 2017 César for Best First Film. After “Les Traducteurs” (2019), he reunites with Régis Roinsard for “En attendant Bojangles” (2021), based upon the novel of the same name. He also co-wrote the Vincent Maël Cardona's first film, “Les Magnétiques”, with was awarded the 2022 César for Best First feature.
Co-Writer:
2023 The Small Victories
2024 Les pas perdus
Dialogue:
2021 Magnetic Beats
2023 The Small Victories
2024 Les pas perdus
Screenplay:
2012 Populaire
2016 Please Love Me Forever
2018 Treat Me Like Fire
2021 Magnetic Beats
2023 The Small Victories
2024 Les pas perdus
???? J'arrive
???? Rosa candida
Script Consultant:
2012 Populaire
2013 The Marchers
2016 150 Milligrams
2016 Please Love Me Forever
2018 Treat Me Like Fire
2021 Magnetic Beats
2022 Save Our School
2023 The Small Victories
2024 Les pas perdus
2024 Rosalie
???? J'arrive
???? Rosa candida
Writer:
2012 Populaire
2013 The Marchers
2016 150 Milligrams
2016 Divines
2016 Please Love Me Forever
2018 Treat Me Like Fire
2019 The Translators
2021 Magnetic Beats
2021 Waiting for Bojangles
2022 Save Our School
2023 The Small Victories
2024 Les pas perdus
2024 Rosalie
???? J'arrive
???? Rosa candida
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.