A work in constant progress (and occasional regress).
Alias:
Matiss Kaza
Birthplace:
Stockholm, Sweden
Born:
August 31, 1995
Matīss Kaža is a Latvian director, writer and producer. He holds a degree in Film & TV from NYU's Tisch School of the Arts. Despite his young age, Matiss has extensive experience working in both documentary and fiction, focusing on character studies in his documentary work, and on experimental single-take experiments, genre-blending and arthouse drama in fiction.
Co-Producer:
2021 Imad's Childhood
2024 Drowning Dry
Director:
2017 One Ticket Please
2018 Frontier Zone
2018 Meyerhold's Flight
2020 At The Movies
2020 The Wanderers
2020 When You Look At Me
2021 Imad's Childhood
2021 Wild East
2022 Neon Spring
2022 The Taste of Water
2024 Drowning Dry
Director of Photography:
2016 Flames on the Soil
2017 One Ticket Please
2018 Frontier Zone
2018 Meyerhold's Flight
2020 At The Movies
2020 The Wanderers
2020 When You Look At Me
2021 Imad's Childhood
2021 Wild East
2022 Neon Spring
2022 The Taste of Water
2024 Drowning Dry
Editor:
2016 Flames on the Soil
2017 One Ticket Please
2018 Frontier Zone
2018 Meyerhold's Flight
2020 At The Movies
2020 The Wanderers
2020 When You Look At Me
2021 Imad's Childhood
2021 Wild East
2022 Neon Spring
2022 One Hundred Years Older
2022 The Taste of Water
2024 Drowning Dry
Producer:
2016 Flames on the Soil
2017 One Ticket Please
2018 Frontier Zone
2018 Meyerhold's Flight
2018 The Man and the Dahlias
2019 Memories from Earth
2020 At The Movies
2020 The Wanderers
2020 When You Look At Me
2021 Imad's Childhood
2021 Wild East
2022 Neon Spring
2022 One Hundred Years Older
2022 Sisters
2022 The Taste of Water
2023 The Girls of 1960
2024 Drowning Dry
2024 Flow
2025 1 Girl Infinite
2025 Touched by Eternity
Production Assistant:
2015 Check Please
2016 Flames on the Soil
2017 One Ticket Please
2018 Frontier Zone
2018 Meyerhold's Flight
2018 The Man and the Dahlias
2019 Memories from Earth
2020 At The Movies
2020 The Wanderers
2020 When You Look At Me
2021 Imad's Childhood
2021 Wild East
2022 Neon Spring
2022 One Hundred Years Older
2022 Sisters
2022 The Taste of Water
2023 The Girls of 1960
2024 Drowning Dry
2024 Flow
2025 1 Girl Infinite
2025 Touched by Eternity
Screenplay:
2015 Check Please
2016 Flames on the Soil
2017 One Ticket Please
2018 Frontier Zone
2018 Meyerhold's Flight
2018 The Man and the Dahlias
2019 Memories from Earth
2020 At The Movies
2020 The Wanderers
2020 When You Look At Me
2021 Imad's Childhood
2021 Wild East
2022 Neon Spring
2022 One Hundred Years Older
2022 Sisters
2022 The Taste of Water
2023 The Girls of 1960
2024 Drowning Dry
2024 Flow
2025 1 Girl Infinite
2025 Touched by Eternity
Writer:
2012 Month of the Witches
2013 My Family Tree
2015 Check Please
2016 Flames on the Soil
2017 One Ticket Please
2018 Frontier Zone
2018 Meyerhold's Flight
2018 The Man and the Dahlias
2019 Memories from Earth
2020 At The Movies
2020 The Wanderers
2020 When You Look At Me
2021 Imad's Childhood
2021 Wild East
2022 Neon Spring
2022 One Hundred Years Older
2022 Sisters
2022 The Taste of Water
2023 The Girls of 1960
2024 Drowning Dry
2024 Flow
2025 1 Girl Infinite
2025 Touched by Eternity
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.