A work in constant progress (and occasional regress).
Editor:
???? Woman in the Mirror
Sound:
2020 Welcome Strangers
???? Woman in the Mirror
Sound Designer:
2004 Date
2006 Misty Mountain
2011 AWOL
2011 Vamperifica
2020 Welcome Strangers
???? Woman in the Mirror
Sound Editor:
2004 Date
2006 Misty Mountain
2011 AWOL
2011 Vamperifica
2017 Yes, God, Yes
2020 Welcome Strangers
???? Woman in the Mirror
Sound Mixer:
2004 Date
2006 Misty Mountain
2011 AWOL
2011 Vamperifica
2017 Yes, God, Yes
2019 Maurice Hines: Bring Them Back
2020 Welcome Strangers
???? Top & Bottom
???? Woman in the Mirror
Sound Re-Recording Mixer:
2004 Date
2006 Misty Mountain
2007 Aquarium
2010 David Blaine: What Is Magic?
2011 AWOL
2011 Vamperifica
2017 Liyana
2017 Yes, God, Yes
2019 Maurice Hines: Bring Them Back
2020 Welcome Strangers
???? Top & Bottom
???? Woman in the Mirror
Sound Recordist:
2004 Date
2006 Misty Mountain
2007 Aquarium
2010 David Blaine: What Is Magic?
2011 AWOL
2011 Vamperifica
2017 Liyana
2017 Yes, God, Yes
2019 Maurice Hines: Bring Them Back
2020 Welcome Strangers
???? Top & Bottom
???? Woman in the Mirror
Supervising Sound Editor:
2004 Date
2005 They're Made Out of Meat
2006 Misty Mountain
2007 Aquarium
2010 David Blaine: What Is Magic?
2011 AWOL
2011 Vamperifica
2017 Liyana
2017 Yes, God, Yes
2019 Maurice Hines: Bring Them Back
2020 Welcome Strangers
???? Top & Bottom
???? Woman in the Mirror
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.