A work in constant progress (and occasional regress).
Birthplace:
Glasgow, Scotland, UK
Scottish artist, filmmaker and musician Luke Fowler has developed a practice that is, at the same time, singular and collaborative, poetic and political, structural and documentary, archival and deeply human. With an emphasis on communities of people, outward thinkers and the history of the left, his 16mm films tell the stories of alternative movements in Britain, from psychiatry to photography to music to education. Whilst some of his early films dealt with music and musicians as subjects, in later works sound itself becomes a key concern. (Maria Palacios Cruz)
Cinematography:
2012 All Divided Selves
Director:
2001 What You See Is Where You’re At
2003 The Way Out
2006 Half Life
2006 Pilgrimage from Scattered Points
2007 Paddington Collaboration
2008 Anna
2008 Bogman Palmjaguar
2008 David
2008 George
2008 Helen
2008 Lester
2009 3 Minute Wonder (Anna / David / Helen / Lester)
2009 A Grammar for Listening (Part 1)
2009 A Grammar for Listening (Part 2)
2009 A Grammar for Listening (Part 3)
2012 All Divided Selves
2012 The Poor Stockinger, The Luddite Cropper and The Deluded Followers of Joanna Southcott
2014 Depositions
2014 To The Editor of Amateur Photographer
2016 For Christian
2017 Country Grammar
2017 Electro-Pythagorus: A Portrait of Martin Bartlett
2018 Enceindre
2018 Mum's Cards
2019 Cézanne
2019 Houses (for Margaret)
2020 Patrick
2021 For Dan
2023 COP26FILM
2023 No Interior
2023 N’Importe Quoi (for Brunhild)
2024 A Visit With Robert
2024 Being in a Place: A Portrait of Margaret Tait
2024 N'importe Quoi (Extérieur - Jour)
Director of Photography:
2001 What You See Is Where You’re At
2003 The Way Out
2006 Half Life
2006 Pilgrimage from Scattered Points
2007 Paddington Collaboration
2008 Anna
2008 Bogman Palmjaguar
2008 David
2008 George
2008 Helen
2008 Lester
2009 3 Minute Wonder (Anna / David / Helen / Lester)
2009 A Grammar for Listening (Part 1)
2009 A Grammar for Listening (Part 2)
2009 A Grammar for Listening (Part 3)
2012 All Divided Selves
2012 The Poor Stockinger, The Luddite Cropper and The Deluded Followers of Joanna Southcott
2014 Depositions
2014 To The Editor of Amateur Photographer
2016 For Christian
2017 Country Grammar
2017 Electro-Pythagorus: A Portrait of Martin Bartlett
2018 Enceindre
2018 Mum's Cards
2019 Cézanne
2019 Houses (for Margaret)
2020 Patrick
2021 For Dan
2023 COP26FILM
2023 No Interior
2023 N’Importe Quoi (for Brunhild)
2024 A Visit With Robert
2024 Being in a Place: A Portrait of Margaret Tait
2024 N'importe Quoi (Extérieur - Jour)
Editor:
2001 What You See Is Where You’re At
2003 The Way Out
2006 Half Life
2006 Pilgrimage from Scattered Points
2007 Paddington Collaboration
2008 Anna
2008 Bogman Palmjaguar
2008 David
2008 George
2008 Helen
2008 Lester
2009 3 Minute Wonder (Anna / David / Helen / Lester)
2009 A Grammar for Listening (Part 1)
2009 A Grammar for Listening (Part 2)
2009 A Grammar for Listening (Part 3)
2012 All Divided Selves
2012 The Poor Stockinger, The Luddite Cropper and The Deluded Followers of Joanna Southcott
2014 Depositions
2014 To The Editor of Amateur Photographer
2016 For Christian
2017 Country Grammar
2017 Electro-Pythagorus: A Portrait of Martin Bartlett
2018 Enceindre
2018 Mum's Cards
2019 Cézanne
2019 Houses (for Margaret)
2020 Patrick
2021 For Dan
2023 COP26FILM
2023 No Interior
2023 N’Importe Quoi (for Brunhild)
2024 A Visit With Robert
2024 Being in a Place: A Portrait of Margaret Tait
2024 N'importe Quoi (Extérieur - Jour)
Producer:
2001 What You See Is Where You’re At
2003 The Way Out
2006 Half Life
2006 Pilgrimage from Scattered Points
2007 Paddington Collaboration
2008 Anna
2008 Bogman Palmjaguar
2008 David
2008 George
2008 Helen
2008 Lester
2009 3 Minute Wonder (Anna / David / Helen / Lester)
2009 A Grammar for Listening (Part 1)
2009 A Grammar for Listening (Part 2)
2009 A Grammar for Listening (Part 3)
2012 All Divided Selves
2012 The Poor Stockinger, The Luddite Cropper and The Deluded Followers of Joanna Southcott
2014 Depositions
2014 To The Editor of Amateur Photographer
2016 For Christian
2017 Country Grammar
2017 Electro-Pythagorus: A Portrait of Martin Bartlett
2018 Enceindre
2018 Mum's Cards
2019 Cézanne
2019 Houses (for Margaret)
2020 Patrick
2021 For Dan
2023 COP26FILM
2023 No Interior
2023 N’Importe Quoi (for Brunhild)
2024 A Visit With Robert
2024 Being in a Place: A Portrait of Margaret Tait
2024 N'importe Quoi (Extérieur - Jour)
Sound:
2001 What You See Is Where You’re At
2003 The Way Out
2006 Half Life
2006 Pilgrimage from Scattered Points
2007 Paddington Collaboration
2008 Anna
2008 Bogman Palmjaguar
2008 David
2008 George
2008 Helen
2008 Lester
2009 3 Minute Wonder (Anna / David / Helen / Lester)
2009 A Grammar for Listening (Part 1)
2009 A Grammar for Listening (Part 2)
2009 A Grammar for Listening (Part 3)
2012 All Divided Selves
2012 The Poor Stockinger, The Luddite Cropper and The Deluded Followers of Joanna Southcott
2014 Depositions
2014 To The Editor of Amateur Photographer
2016 For Christian
2017 Country Grammar
2017 Electro-Pythagorus: A Portrait of Martin Bartlett
2018 Enceindre
2018 Mum's Cards
2019 Cézanne
2019 Houses (for Margaret)
2020 Patrick
2021 For Dan
2023 COP26FILM
2023 No Interior
2023 N’Importe Quoi (for Brunhild)
2024 A Visit With Robert
2024 Being in a Place: A Portrait of Margaret Tait
2024 N'importe Quoi (Extérieur - Jour)
Writer:
2001 What You See Is Where You’re At
2003 The Way Out
2006 Half Life
2006 Pilgrimage from Scattered Points
2007 Paddington Collaboration
2008 Anna
2008 Bogman Palmjaguar
2008 David
2008 George
2008 Helen
2008 Lester
2009 3 Minute Wonder (Anna / David / Helen / Lester)
2009 A Grammar for Listening (Part 1)
2009 A Grammar for Listening (Part 2)
2009 A Grammar for Listening (Part 3)
2012 All Divided Selves
2012 The Poor Stockinger, The Luddite Cropper and The Deluded Followers of Joanna Southcott
2014 Depositions
2014 To The Editor of Amateur Photographer
2016 For Christian
2017 Country Grammar
2017 Electro-Pythagorus: A Portrait of Martin Bartlett
2018 Enceindre
2018 Mum's Cards
2019 Cézanne
2019 Houses (for Margaret)
2020 Patrick
2021 For Dan
2023 COP26FILM
2023 No Interior
2023 N’Importe Quoi (for Brunhild)
2024 A Visit With Robert
2024 Being in a Place: A Portrait of Margaret Tait
2024 N'importe Quoi (Extérieur - Jour)
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.