A work in constant progress (and occasional regress).
Birthplace:
Broomfield, Colorado, USA
Born:
January 1, 1970
Brian Knappenberger is a producer and director, known for We Are Legion: The Story of the Hacktivists (2012), The Internet's Own Boy: The Story of Aaron Swartz (2014) and Bloomberg Game Changers (2010).
Camera Loader:
1997 Strategic Command
Camera Operator:
1997 Strategic Command
2007 For the Bible Tells Me So
Director:
1997 Strategic Command
2007 For the Bible Tells Me So
2012 We Are Legion: The Story of the Hacktivists
2014 The Internet's Own Boy: The Story of Aaron Swartz
2017 Nobody Speak: Trials of the Free Press
2020 Church and the Fourth Estate
2023 Scouts Honor: The Secret Files of the Boy Scouts of America
Director of Photography:
1997 Strategic Command
2001 Elvis Took a Bullet
2007 For the Bible Tells Me So
2012 We Are Legion: The Story of the Hacktivists
2014 The Internet's Own Boy: The Story of Aaron Swartz
2017 Nobody Speak: Trials of the Free Press
2020 Church and the Fourth Estate
2023 Scouts Honor: The Secret Files of the Boy Scouts of America
Editor:
1997 Strategic Command
2001 Elvis Took a Bullet
2007 For the Bible Tells Me So
2012 We Are Legion: The Story of the Hacktivists
2014 The Internet's Own Boy: The Story of Aaron Swartz
2017 Nobody Speak: Trials of the Free Press
2020 Church and the Fourth Estate
2023 Scouts Honor: The Secret Files of the Boy Scouts of America
Executive Producer:
1997 Strategic Command
2001 Elvis Took a Bullet
2007 For the Bible Tells Me So
2012 We Are Legion: The Story of the Hacktivists
2014 The Internet's Own Boy: The Story of Aaron Swartz
2017 Nobody Speak: Trials of the Free Press
2020 Church and the Fourth Estate
2023 Scouts Honor: The Secret Files of the Boy Scouts of America
Graphic Designer:
1997 Strategic Command
2000 X-Men: The Mutant Watch
2001 Elvis Took a Bullet
2007 For the Bible Tells Me So
2012 We Are Legion: The Story of the Hacktivists
2014 The Internet's Own Boy: The Story of Aaron Swartz
2017 Nobody Speak: Trials of the Free Press
2020 Church and the Fourth Estate
2023 Scouts Honor: The Secret Files of the Boy Scouts of America
Producer:
1997 Strategic Command
2000 X-Men: The Mutant Watch
2001 Elvis Took a Bullet
2007 For the Bible Tells Me So
2012 We Are Legion: The Story of the Hacktivists
2014 The Internet's Own Boy: The Story of Aaron Swartz
2017 Nobody Speak: Trials of the Free Press
2020 Church and the Fourth Estate
2023 Scouts Honor: The Secret Files of the Boy Scouts of America
Thanks:
1997 Strategic Command
2000 X-Men: The Mutant Watch
2001 Elvis Took a Bullet
2007 For the Bible Tells Me So
2012 We Are Legion: The Story of the Hacktivists
2014 The Internet's Own Boy: The Story of Aaron Swartz
2017 Nobody Speak: Trials of the Free Press
2018 They'll Love Me When I'm Dead
2020 Church and the Fourth Estate
2023 Scouts Honor: The Secret Files of the Boy Scouts of America
Writer:
1997 Strategic Command
2000 X-Men: The Mutant Watch
2001 Elvis Took a Bullet
2007 For the Bible Tells Me So
2012 We Are Legion: The Story of the Hacktivists
2014 The Internet's Own Boy: The Story of Aaron Swartz
2017 Nobody Speak: Trials of the Free Press
2018 They'll Love Me When I'm Dead
2020 Church and the Fourth Estate
2023 Scouts Honor: The Secret Files of the Boy Scouts of America
Creator:
2020 The Trials of Gabriel Fernandez
2022 Web of Make Believe: Death, Lies and the Internet
Director:
2020 The Trials of Gabriel Fernandez
2021 Turning Point: 9/11 and the War on Terror
2022 Web of Make Believe: Death, Lies and the Internet
2024 Turning Point: The Bomb and the Cold War
Executive Producer:
2020 The Trials of Gabriel Fernandez
2021 Turning Point: 9/11 and the War on Terror
2022 Web of Make Believe: Death, Lies and the Internet
2024 The Program: Cons, Cults, and Kidnapping
2024 Turning Point: The Bomb and the Cold War
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.