A work in constant progress (and occasional regress).
Alias:
Kayla M. Emter
A graduate of AFI and a previous apprentice of Editor John Axelrad, Kayla was named someone to watch in VARIETY’S BELOW THE LINE IMPACT REPORT and STAGE 32 WOMEN TRAILBLAZERS. Kayla’s feature work as an Editor includes THE IMMIGRANT, dir. James Gray; Don Cheadle’s critically acclaimed MILES AHEAD for Sony Pictures Classics; Lorene Scafaria directed dramedy THE MEDDLER; Lake Bell’s sophomore directorial feature I DO... UNTIL I DON’T; The Netflix feature CANDY JAR directed by Ben Shelton; RIDE directed by Jeremy Ungar for Unified Pictures and RLJ Entertainment.
Additional Editing:
2021 Gunpowder Milkshake
Editor:
2009 StereoLife
2012 The Sacred
2013 The Immigrant
2014 Semblance
2016 Miles Ahead
2016 The Meddler
2017 I Do... Until I Don't
2018 Candy Jar
2018 Flesh & Blood
2018 Ride
2019 Hustlers
2021 Gunpowder Milkshake
2021 Queenpins
2022 Lamborghini: The Man Behind the Legend
2023 Flamin' Hot
2024 Sweethearts
2025 Oh, Hi!
First Assistant Editor:
2009 StereoLife
2010 I'm Still Here
2012 The Sacred
2013 The Immigrant
2014 Semblance
2016 Miles Ahead
2016 The Meddler
2017 I Do... Until I Don't
2018 Candy Jar
2018 Flesh & Blood
2018 Ride
2019 Hustlers
2021 Gunpowder Milkshake
2021 Queenpins
2022 Lamborghini: The Man Behind the Legend
2023 Flamin' Hot
2024 Sweethearts
2025 Oh, Hi!
Editor:
2022 Inventing Anna
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.