A work in constant progress (and occasional regress).
Alias:
Joshua D. Bennett
Co-Director:
2019 Tightrope: Americans Reaching for Hope
Coordinating Producer:
2012 Marina Abramović: The Artist Is Present
2019 Tightrope: Americans Reaching for Hope
Director:
2012 Marina Abramović: The Artist Is Present
2017 Los Comandos
2017 Sky and Ground
2019 Tightrope: Americans Reaching for Hope
Editor:
2012 Marina Abramović: The Artist Is Present
2017 Los Comandos
2017 Sky and Ground
2019 Homelessness
2019 Tightrope: Americans Reaching for Hope
Executive Producer:
2012 Marina Abramović: The Artist Is Present
2017 Los Comandos
2017 Sky and Ground
2019 Homelessness
2019 Tightrope: Americans Reaching for Hope
Producer:
2012 Half the Sky: Turning Oppression Into Opportunity for Women Worldwide
2012 Marina Abramović: The Artist Is Present
2017 Los Comandos
2017 Sky and Ground
2019 Homelessness
2019 Tightrope: Americans Reaching for Hope
???? Power of Soul
Second Assistant Camera:
2012 Half the Sky: Turning Oppression Into Opportunity for Women Worldwide
2012 Marina Abramović: The Artist Is Present
2017 Los Comandos
2017 Sky and Ground
2019 Homelessness
2019 Tightrope: Americans Reaching for Hope
???? Power of Soul
???? When She Flies
Director:
2020 Atlanta's Missing and Murdered: The Lost Children
2022 Hostages
2022 Where Is Private Dulaney?
Executive Producer:
2020 Atlanta's Missing and Murdered: The Lost Children
2022 Hostages
2022 Where Is Private Dulaney?
Producer:
2020 Atlanta's Missing and Murdered: The Lost Children
2022 Hostages
2022 Where Is Private Dulaney?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.