A work in constant progress (and occasional regress).
Birthplace:
San Francisco, California, USA
Born:
March 1, 1930
Died:
January 9, 2012
Born in 1930 to a family of Swedish immigrants, Robert Nelson studied painting until changing his focus to concentrate on filmmaking in the early 1960s. Strong influences included the Bay Area bohemian Beat scene and the improvisatory theatre of the San Francisco Mime Troupe, with which he would ultimately collaborate on several films. His marriage to experimental filmmaker Gunvor Nelson also helped jumpstart his early filmmaking impulse and instigated many films.
Cinematography:
1965 Oh Dem Watermelons
Director:
1963 Plastic Haircut
1965 Confessions of a Black Mother Succuba
1965 Oh Dem Watermelons
1965 Oily Peloso the Pumph Man
1965 Sixty Lazy Dogs
1965 T.P.I.
1965 T.P.II
1967 1/2 Bright, 1/2 Open, 1/2 Withered, 1/2 Lumpy
1967 Gourley in 67
1967 Grateful Dead
1967 Hot Leatherette
1967 Penny Bright & Jimmy Witherspoon
1967 Soup or Spread
1967 The Awful Backlash
1967 The Great Blondino
1967 The Off-Handed Jape... & How to Pull It Off
1970 King David
1971 Bleu Shut
1974 Deep Westurn
1976 Suite California Stops & Passes Part 1: Tijuana to Hollywood via Death Valley
1998 Hauling Toto Big
Editor:
1963 Plastic Haircut
1965 Confessions of a Black Mother Succuba
1965 Oh Dem Watermelons
1965 Oily Peloso the Pumph Man
1965 Sixty Lazy Dogs
1965 T.P.I.
1965 T.P.II
1967 1/2 Bright, 1/2 Open, 1/2 Withered, 1/2 Lumpy
1967 Gourley in 67
1967 Grateful Dead
1967 Hot Leatherette
1967 Penny Bright & Jimmy Witherspoon
1967 Soup or Spread
1967 The Awful Backlash
1967 The Great Blondino
1967 The Off-Handed Jape... & How to Pull It Off
1970 King David
1971 Bleu Shut
1974 Deep Westurn
1976 Suite California Stops & Passes Part 1: Tijuana to Hollywood via Death Valley
1998 Hauling Toto Big
Producer:
1963 Plastic Haircut
1965 Confessions of a Black Mother Succuba
1965 Oh Dem Watermelons
1965 Oily Peloso the Pumph Man
1965 Sixty Lazy Dogs
1965 T.P.I.
1965 T.P.II
1967 1/2 Bright, 1/2 Open, 1/2 Withered, 1/2 Lumpy
1967 Gourley in 67
1967 Grateful Dead
1967 Hot Leatherette
1967 Penny Bright & Jimmy Witherspoon
1967 Soup or Spread
1967 The Awful Backlash
1967 The Great Blondino
1967 The Off-Handed Jape... & How to Pull It Off
1970 King David
1971 Bleu Shut
1974 Deep Westurn
1976 Suite California Stops & Passes Part 1: Tijuana to Hollywood via Death Valley
1998 Hauling Toto Big
Writer:
1963 Plastic Haircut
1965 Confessions of a Black Mother Succuba
1965 Oh Dem Watermelons
1965 Oily Peloso the Pumph Man
1965 Sixty Lazy Dogs
1965 T.P.I.
1965 T.P.II
1967 1/2 Bright, 1/2 Open, 1/2 Withered, 1/2 Lumpy
1967 Gourley in 67
1967 Grateful Dead
1967 Hot Leatherette
1967 Penny Bright & Jimmy Witherspoon
1967 Soup or Spread
1967 The Awful Backlash
1967 The Great Blondino
1967 The Off-Handed Jape... & How to Pull It Off
1970 King David
1971 Bleu Shut
1974 Deep Westurn
1976 Suite California Stops & Passes Part 1: Tijuana to Hollywood via Death Valley
1998 Hauling Toto Big
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.