A work in constant progress (and occasional regress).
Birthplace:
Lisbon, Portugal
Born:
January 1, 1974
Filipa REIS (1977) e João MILLER GUERRA (1974)live and work together in Lisbon, Portugal. They directed documentaries Fora da Vida (Best Portuguese Short Film IndieLisboa'15), Bela Vista (Best International Short Film FIDOC'13 and Honorable Mention MiradasDoc'13), Cama de Gato (Best Portuguese Short Film IndieLisboa'12 and Revelation Prize at Festival Luso-Brazilian Santa Maria film'12), Generation Orchestra, Nada Fazi (Best Portuguese Film Fantasporto'12 and audience Award Festival Cortex'12) and Li Ké Terra (Best Portuguese feature film DocLisboa'10 and Special Jury Mention MiradasDoc'11). Their films were presented at international festivals such as Cinéma du Réel, IDFA, DokLeipzig, Bordocs, forumdoc.bh, Festival dei Popoli, Film Look, Recife International Film Window, FIDBA, Dok.Fest, Molodist, Parnu, between others. Their first feature fiction film is currently in post-production. Together they have a film production company Uma Pedra no Sapato, responsible for films like Balada de um Batráquio, by Leonor Teles, who won the Golden Bear for Best Short Film at the Berlin Film Festival'16.
Art Direction:
2013 The End Of The World
Director:
2010 Li Ké Terra
2011 Orquestra Geração
2012 Bela Vista
2012 Cat's Cradle
2012 Nada Fazi
2013 Fragmentos de Uma Observação Participativa
2013 The End Of The World
2014 The Indispensable Practice of Vagueness
2015 On The Side
2017 Cidade
2018 Djon Africa
2023 Légua
Editor:
2010 Li Ké Terra
2011 Orquestra Geração
2012 Bela Vista
2012 Cat's Cradle
2012 Nada Fazi
2013 Fragmentos de Uma Observação Participativa
2013 The End Of The World
2014 The Indispensable Practice of Vagueness
2015 On The Side
2017 Cidade
2018 Djon Africa
2018 Life Out There Has It Been Seen?
2020 The Life We Know
2023 Légua
Executive Producer:
2010 Li Ké Terra
2011 Orquestra Geração
2012 Bela Vista
2012 Cat's Cradle
2012 Nada Fazi
2013 Fragmentos de Uma Observação Participativa
2013 The End Of The World
2014 The Indispensable Practice of Vagueness
2015 On The Side
2017 Cidade
2018 Djon Africa
2018 Life Out There Has It Been Seen?
2020 The Life We Know
2023 Légua
2024 Grand Tour
Producer:
2010 Li Ké Terra
2011 Orquestra Geração
2012 Bela Vista
2012 Cat's Cradle
2012 Nada Fazi
2013 Fragmentos de Uma Observação Participativa
2013 The End Of The World
2014 The Indispensable Practice of Vagueness
2015 On The Side
2016 Batrachian's Ballad
2017 Cidade
2018 Ashore
2018 Djon Africa
2018 Life Out There Has It Been Seen?
2019 Dogs Barking at Birds
2019 Party Day
2020 The Life We Know
2021 A Pleasure, Comrades!
2021 The Tsugua Diaries
2023 Légua
2024 Grand Tour
Screenplay:
2010 Li Ké Terra
2011 Orquestra Geração
2012 Bela Vista
2012 Cat's Cradle
2012 Nada Fazi
2013 Fragmentos de Uma Observação Participativa
2013 The End Of The World
2014 The Indispensable Practice of Vagueness
2015 On The Side
2016 Batrachian's Ballad
2017 Cidade
2018 Ashore
2018 Djon Africa
2018 Life Out There Has It Been Seen?
2019 Dogs Barking at Birds
2019 Party Day
2020 The Life We Know
2021 A Pleasure, Comrades!
2021 The Tsugua Diaries
2023 Légua
2024 Grand Tour
Writer:
2010 Li Ké Terra
2011 Orquestra Geração
2012 Bela Vista
2012 Cat's Cradle
2012 Nada Fazi
2013 Fragmentos de Uma Observação Participativa
2013 The End Of The World
2014 The Indispensable Practice of Vagueness
2015 On The Side
2016 Batrachian's Ballad
2017 Cidade
2018 Ashore
2018 Djon Africa
2018 Life Out There Has It Been Seen?
2019 Dogs Barking at Birds
2019 Party Day
2020 The Life We Know
2021 A Pleasure, Comrades!
2021 The Tsugua Diaries
2023 Légua
2024 Grand Tour
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.