A work in constant progress (and occasional regress).
Alias:
Fatma Ahmed Kamal Eldeen Mohamed Shaker
Shadia
Shadya
شادية
صوت مصر
فاطمة أحمد كمال الدين محمد شاكر
لدلوعة
معبودة الجماهير
Birthplace:
Cairo, Egypt
Born:
February 8, 1929
Died:
November 28, 2017
Fatma Ahmed Kamal Shaker, better known by her stage name Shadia. was an Egyptian actress and singer. She was famous for her roles in light comedies and drama in the 1950s and 1960s. She was the third wife of Salah Zulfikar. Shadia was one of the iconic actresses and singers in Egypt and the Middle East region and a symbol of the golden age of Egyptian cinema and is known for her many patriotic songs. Her movies and songs are popular in Egypt and the Arab World. Critics consider her the most successful comprehensive Egyptian and Arabic artist of all time. Her first appearance in a film was in "Azhar wa Ashwak" (Flowers and Thorns), and her last film was "La Tas'alni Man Ana" (Don't Ask Me Who I Am).[1] She is also known for her patriotic song "Ya Habibti Ya Masr" (Oh Egypt, My Love) and her breakthrough leading role in the Egyptian movie "Al Maraa Al Maghoula" (The Unknown Woman).[2] Six of her movies are listed in the top 100 Egyptian movies of the 20th century. In April 2015, she became the first actress to be awarded an honorary doctorate by the Egyptian Academy of Arts. She was given the nickname "Idol of the Masses" following her successful movie "Maaboudat El Gamaheer" (Idol of the Masses).[citation needed] Other notable nicknames include "The Guitar of the Arabic Singing" and "The Golden Guitar".
Songs:
1956 Dalila
1956 The Leech
1962 Wife Number 13
1969 Marriage for Half an Hour
1974 A woman in love
1979 Doubt, My Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.