Santiago Racaj

Birthplace:
Madrid, Madrid, Spain

Santiago Racaj (1966) has more than twenty-five years of experience in the sector. He has made cinmatography of hundreds of commercials, multiple documentaries, music videos and more than fifteen feature films, including 'La Virgen de Agosto' (2019), 'Viaje al cuarto de una madre' (2018), 'Verano 1993' (2017) or 'Magical Girl' (2014). He has been a photojournalist for news programs and documentaries for TV, and steadicam operator since 1990. He currently combines cinematographic photography direction and advertising work with teaching as a professor of the Diploma in Cinematography Direction and as coordinator of the Master in Cinematographic Photography Direction at ECAM.

Additional information:

The Search Form


Camera Operator:
2018  Si vamos 28, volvemos 28
2022  You Have to Come and See It
2024  The Other Way Around

Cinematography:
1999  The open luggage
2006  Lola
2009  Woman Without Piano
2018  Si vamos 28, volvemos 28
2021  The Cover
2022  You Have to Come and See It
2024  The Other Way Around

Director of Photography:
1999  The open luggage
2003  En camas separadas
2006  Lola
2009  Woman Without Piano
2010  Every Song Is About Me
2013  La media vuelta
2013  The Dead Man and Being Happy
2013  The Wishful Thinkers
2013  Wounded
2014  Magical Girl
2015  Las Hurdes, a Land with Soul
2015  Malpartida Fluxus Village
2015  The Romantic Exiles
2016  The Best Option
2017  Australia
2017  Dying
2017  Summer 1993
2018  Journey to a Mother's Room
2018  Querido Fotogramas
2018  Si vamos 28, volvemos 28
2019  Dying to Come Back
2019  The August Virgin
2020  Face to Face
2020  Hermanas
2020  That Was Life
2021  Sun & Daughter
2021  The Cover
2022  The Rite of Spring
2022  Vasil
2022  You Have to Come and See It
2023  Girl Unknown
2024  Close To The Sultan
2024  Ellipsis
2024  Little Loves
2024  The Other Way Around
????  La quinta

Thanks:
1999  The open luggage
2003  En camas separadas
2006  Lola
2009  Woman Without Piano
2010  Every Song Is About Me
2013  La media vuelta
2013  The Dead Man and Being Happy
2013  The Wishful Thinkers
2013  Wounded
2014  Magical Girl
2015  Las Hurdes, a Land with Soul
2015  Malpartida Fluxus Village
2015  The Romantic Exiles
2016  The Best Option
2017  Australia
2017  Dying
2017  Summer 1993
2018  Journey to a Mother's Room
2018  Querido Fotogramas
2018  Si vamos 28, volvemos 28
2019  Dying to Come Back
2019  The August Virgin
2020  Face to Face
2020  Hermanas
2020  That Was Life
2021  Sun & Daughter
2021  The Cover
2022  Plastic Touch
2022  The Rite of Spring
2022  Vasil
2022  You Have to Come and See It
2023  Girl Unknown
2024  Close To The Sultan
2024  Ellipsis
2024  Little Loves
2024  The Other Way Around
????  La quinta

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.