Nicholas Webster (1912-2006)

Gallery Unavailable

Birthplace:
Spokane, Washington, USA

Born:
July 24, 1912

Died:
August 12, 2006

From Wikipedia, the free encyclopedia  Nicholas Webster (24 July 1912 — 12 August 2006) was an American film and television director. Chiefly remembered for his CBS program The Violent World of Sam Huff (1960; featuring the first use of a wireless microphone on television); the ABC Close Up documentary Walk in My Shoes (1961), nominated for an Emmy as the best television program of the year [1], it was the first time the story of African Americans was told in their own words on television; Purlie Victorious (1963; also known as Gone Are the Days), the film version of Ossie Davis' acclaimed stage play starring Davis, Ruby Dee, and Alan Alda in his first film role); and the feature film Santa Claus Conquers the Martians (1964), a children's favorite for more than 40 years and noteworthy to trivia buffs as Pia Zadora's first film. It was originally reviewed as "a children's film adults won't mind sitting through", though it was later listed by the Medved brothers as one of the 50 worst films of all time, thus ensuring its ongoing cult status); and the ABC special Ridin' the Rails: The Great American Train Story (1974), which featured Johnny Cash. The program was recently re-released by Rhino Records.  Description above from the Wikipedia article Nicholas Webster, licensed under CC-BY-SA, full list of contributors on Wikipedia.  ​

Additional information:

The Search Form


Director:
1960  ABC Close-Up!
1965  Get Smart
1965  The Big Valley
1965  The F.B.I.
1967  Mannix
1969  Bracken's World
1969  The New People
1970  Dan August
1970  The Immortal
1972  The Waltons
1974  Apple's Way
1979  The Chisholms

Producer:
1960  ABC Close-Up!
1965  Get Smart
1965  The Big Valley
1965  The F.B.I.
1967  Mannix
1969  Bracken's World
1969  The New People
1970  Dan August
1970  The Immortal
1972  The Waltons
1974  Apple's Way
1979  The Chisholms

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.